Pink Polka Dot Citroen 2CV (2020) Fotografie von Susan Maxwell Schmidt

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Verkauft von Susan Maxwell Schmidt

  • Diese Arbeit ist eine "Open Edition" Fotografie, Giclée / Digitaldruck
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  • Kategorien Street Art Auto
An altered selective color photograph of a white Citroën 2CV with bright pink polka dots. The original 2CVs were nicknamed the "umbrella on wheels" because they had a full-width canvas roof that rolled all the way back almost to the bumper on pre-1955 models (I believe this model was made around 1965 but I wasn't able to definitively[...]
An altered selective color photograph of a white Citroën 2CV with bright pink polka dots. The original 2CVs were nicknamed the "umbrella on wheels" because they had a full-width canvas roof that rolled all the way back almost to the bumper on pre-1955 models (I believe this model was made around 1965 but I wasn't able to definitively date it, if you know please share your knowledge!). And here's a piece of trivia for you: Michelin introduced their very first radial tires on the first model of this car in 1948. Most importantly, I want one!

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Pink Polka Dot Citroën 2CvFrench Vintage AutomobileClassic CarAntique AutoEconomy Automobile

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My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little[...]

My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little outside influence as possible, I work tirelessly to interpret the concepts my mind creates in a moment-by-moment barrage of ideas that always seem to come faster than I can realize them in a tangible form. Though my artwork over the past 40 years has evolved from my early days of shooting on film to manifesting itself in many different forms of more contemporary media, from the delicate transparency of digital watercolor, to the no-holds-barred starkness of noir digital photography, to even the fanciful abstract-turned-conceptual properties of my mathematics-based fractal art, the undercurrent that binds them all is my life-long love of surrealism. I prefer the surrealist worlds my mind creates to the one in which we all inhabit, and though I create all my art to please only myself as a rule, absolutely nothing thrills me more than when it speaks to someone else as it does me.

My art has appeared in SLAM Magazine, Garden Tripod and Best of Creatocracy, and graced the cover of British group River City Portrait's digital music single "Paralysed." I was honored as the best artist to represent Pennsylvania in 50 States of Art 2015.

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