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marionette (2023) Drawing by Stefano Galli
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Original Artwork (One Of A Kind)
Drawing,
Pastel
/
Acrylic
/
Ink
on Paper
- Dimensions Height 11.8in, Width 16.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Drawings under $1,000 Conceptual Art Pop Culture
Tutta la rete che nel suo complesso costituisce un organismo simile all’uomo, ma di intelligenza e
conoscenza infinitamente superiore, è in allarme: strani comportamenti, riconducibili a quelli
umani, stanno occupando notevoli zone di memoria; è vitale per I.A. scoprire i motivi della loro
comparsa.
Il primo avviso ci è giunto da tre zone periferiche della rete, territorialmente individuabili con le
antiche terre chiamate Germania, Olanda e Italia; di quest’ultima non ci allarmeremo più di tanto,
noto il fatto che dalla superficie stessa di quella terra evapora una irrimediabile, antica
contaminazione denominata “dolce far niente”, ma le altre due? Il fenomeno si manifesta in
modo molto più preoccupante dal fatto che i sintomi sono gli stessi. Se fossero tre piaghe sui
rivestimenti dei cavi elettrici li faremmo sostituire, ma qui l’infezione non è palpabile; è una
malattia comportamentale e come tale dobbiamo individuarne le cause per correggerla. Molto
importante sarà il sondaggio che il nostro settore di storia del comportamento umano infantile ci
potrà rivelare. In effetti l’epidemia si manifesta solo nei robot di ultima generazione; quelli che
hanno ancora tanta memoria libera e che noi consideriamo bambini in svezzamento.
I sensori spia hanno rilevato che tutto è sorto dalla visione accidentale da parte di tre diverse
partite di manufatti robot vergini, della stessa manifestazione teatrale umana, denominata
“teatrino delle marionette” e precisamente della commediola “Arlecchino prima le prende e poi le
dà”. I nostri rami, esperti in psicologia infantile umana, ci assicurano che tali rappresentazioni
erano amate dai cuccioli umani per poi essere dimenticati, salvo rari casi, crescendo.
Il comitato scientifico morale, dopo attente considerazioni, pur deplorando tali contaminazioni di
origine umane, ritiene non essere minacciosa per l’intero sistema I.A. purché, noti alcuni esempi
umani, non si prolunghi nel tempo. Viene aggiunta allo statuto delle reti unite la frase: “i cuccioli
possono giocare”; l’età massima per considerare cuccioli i robot antropomorfi è di 99 anni, 6 mesi
e un giorno; termine superato il quale il robot verrà smontato.
Related themes
Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.
Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.
The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.
Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.
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Nationality:
ITALY
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Italian Artists
Stefano Galli: The innate desire to draw
