Antica corte (2022) Painting by Stefano Galli

Acrylic on Canvas, 19.7x19.7 in
$3,043.92
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Customer's reviews (34)
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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 19.7in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative City
Tutto finisce Quando mi svegliavo il mattino, ascoltavo le solite voci note che dalla ampia corte si insinuavano attraverso le pareti fino alla mia camera; erano note, ovattate voci che amavo; mi davano sicurezza oltre che piacere. Mi chiedevo spesso se potessero dare sicurezza delle voci: le voci del salumiere, del vetraio[...]
Tutto finisce

Quando mi svegliavo il mattino, ascoltavo le solite voci note che dalla ampia corte si insinuavano
attraverso le pareti fino alla mia camera; erano note, ovattate voci che amavo; mi davano
sicurezza oltre che piacere. Mi chiedevo spesso se potessero dare sicurezza delle voci: le voci del
salumiere, del vetraio e della signora Lista che andava di mattina presto in chiesa ed al ritorno
chiamava a gran voce il marito che dormiva ancora e poi si alzava borbottando la sua gran voglia di
lavorare. E poi, una dopo l’altra, comparivano nel gran teatro della corte tutti gli attori che la
abitavano. Posso dire di sì, quelle voci mi davano sicurezza perché erano una parte di quel tutto
che era la mia corte, col suo pesante cancello che veniva chiuso la sera per conservare il più
possibile quel gran tesoro.
Tutto finisce ed anche la corte è finita, anzi scomparsa dietro il polverone delle ruspe. Venne il
giorno in cui qualcuno iniziò a desiderare una casa moderna, in un condominio anonimo, dove gli
altri li incontri alla riunione condominiale e le voci sono quelle, un po’ alte, del televisore del
vicino.

Related themes

CortileCamionCittà

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive[...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

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