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Spooky Action at a Distance (2021) Drawing by Sebastian Alsfeld
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Usage: Web Licence
| 1046 px | ||
|
1500 px |
| Dimensions of the file (px) | 1046x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Drawing,
Acrylic
/
Charcoal
/
Spray paint
on Paper
- Dimensions Height 31in, Width 23.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Drawings under $1,000 Expressionism Abstract
An index, an indicator or measure of something, of mark-making processes. The painting reflects my thought processes; constantly spinning, fractured, overloaded, ephemeral, jumping from one idea to the next. Visually, I attempted to explore the relationship between unplanned/spontaneous acts of applying paint vs. more considered/organized/simulated acts of applying paint. Cause and effect, entangled.
Related themes
Born: Edmonton, Alberta, Canada. Living and working in Harbin, China.
Education:
1999-2002 Bachelor of Fine Arts with distinction, Painting Major, Alberta College of Art and Design, Calgary, AB. (Studied under acclaimed Canadian painter, Chris Cran)
1996-1998 Fine Arts Diploma, Grant MacEwan Community College, Edmonton, AB.
Artist Statement:
I have always understood painting as a medium that embodies a thought process which depicts an accumulation of marks over a period of time. My paintings are a record of actions and reactions which often result in explosive, fractured, and chaotic images. I am interested in paintings that need to be visually unpacked; to discover which actions or marks came first and how they were applied and constructed.
I'm interested in paintings that can't be readily resolved. It should take time, cause trouble, and pull you back to look at it, look at it more; not sit in a space or on a wall and be some comfortable, decorative object.
I also understand there is a fine line between just plain old bad, uninteresting painting, and a painting that frustrates, gets under your skin a little, and commands some attention. It's the latter that drives me to keep doing this weird activity ( in this day and age) we call painting.
I pursue no objectives, no system, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes or variations that lead to mastery. I steer clear of definitions. I don’t know what I want. I am inconsistent, noncommittal, passive; I like the indefinite, the boundless; I like continual uncertainty.
—Gerhard Richter
Me, too.
—Manuel Ocampo
Me, three.
_Sebastian Alsfeld
-
Nationality:
CANADA
- Date of birth : 1977
- Artistic domains:
- Groups: Contemporary Canadian Artists
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