Mystic Forest 24 디지털 아트 Kenneth Grzesik

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The digital print series “Mystic Forest” was inspired by the book “The Man Who Planted Trees a Story of Lost Groves, the Science of Trees, and a Plan to Save the Planet” by Jim Robbins. In it a northern Michigan nursery man named David Milarch, who in a near death experience, was shown the image of a devastated Earth. He was tasked with cloning the[...]
The digital print series “Mystic Forest” was inspired by the book “The Man Who Planted Trees a Story of Lost Groves, the Science of Trees, and a Plan to Save the Planet” by Jim Robbins. In it a northern Michigan nursery man named David Milarch, who in a near death experience, was shown the image of a devastated Earth. He was tasked with cloning the champion trees of the world - the strongest, oldest trees - and reintroducing their hardier genetics into our ailing forest as a way to combat climate change. The book made me look at trees in a new light after learning how they filter the air and water, how they communicate, why they die and the myriad of crucial ways they support life on Earth. In the imagery I want to visually express, in an abstract way, some of the magic that is a living forest. There is more to a forest then meets the eye. Original prints are digitally printed using archival paper and inks in an edition of five, signed and numbered. The print is shipped in a secure tube.

관련 테마

Old Growth ForestForest ImageForest LandscapeAbstract TreesAbstract Landscape

자동 번역
팔로우
Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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