Forest Abstract 24 (2018) 디지털 아트 Kenneth Grzesik

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Kenneth Grzesik 에서 판매

  • 이 작품은 "오픈 에디션"입니다 디지털 아트, 지클레 프린트 / 디지털 인쇄
  • 치수 여러 크기 사용 가능
  • 여러 지원 가능 (미술용지, 메탈 프린트, 캔버스 프린트)
  • 프레이밍 프레임 사용 가능 (플로팅 프레임 + 유리 아래, 프레임 + 아크릴 유리 아래)
  • 카테고리 추상 미술
Forest abstractions is a series of digital prints. Organic woodland elements are presented as visual symmetries. The colors were produced by sunlight glowing through the canopy of a living environment of trees as they convert light into life. The symmetrical compositions symbolize underlying harmonies in nature.
Forest abstractions is a series of digital prints. Organic woodland elements are presented as visual symmetries. The colors were produced by sunlight glowing through the canopy of a living environment of trees as they convert light into life. The symmetrical compositions symbolize underlying harmonies in nature.

관련 테마

Digital AbstractModernContemporarySeriesColor Image

자동 번역
팔로우
Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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