Kaleidoscope Geometry Pattern From Nature 77 Digitale Kunst von Kenneth Grzesik

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Verkauft von Kenneth Grzesik

  • Diese Arbeit ist eine "Open Edition" Digitale Kunst, Giclée / Digitaldruck auf Papier
  • Masse Verschiedene Grössen erhältlich
  • Mehrere Möglichkeiten (Kunstdruckpapier, Drucke auf Metall, Leinwand)
  • Rahmen Rahmung zur Verfügung (Schwebender Rahmen verglast, Rahmen mit Acrylglas)
  • Kategorien Digitale Kunst unter 1.000 $ Abstrakte Kunst
This professional quality digital print on archival paper was created by manipulating a digital photograph that was taken at the Skagit Tulip Festival in Skagit County Washington. Prints sold by the artist are signed and unframed on paper. Über dieses Kunstwerk:[...]
This professional quality digital print on archival paper was created by manipulating a digital photograph that was taken at the Skagit Tulip Festival in Skagit County Washington. Prints sold by the artist are signed and unframed on paper.

Verwandte Themen

Kaleidoscope ArtKaleidoscope DesignKaleidoscope PatternKaleidoscope GeometryGeometric Art

Automatisch übersetzt
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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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