sistema policromatico fluido-frammentato 001 (2018) Drawing by Riccardo Liotta

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colored pencils, wax pastels, charcoal, markers, painted and printed paper and tracing paper and paper cut-outs on newsprint paper quick, fast pencil strokes contrasting hard-edged lines and outlines a system of invented polychromatic shapes and geometries that coexist, in an overlapping/superpositioning state [...]
colored pencils, wax pastels, charcoal, markers, painted and printed paper and tracing paper and paper cut-outs on newsprint paper

quick, fast pencil strokes contrasting hard-edged lines and outlines

a system of invented polychromatic shapes and geometries that coexist, in an overlapping/superpositioning state

plastic, transitory forms deform fluidly, as if propagating, into a harmonious yet fractured/fragmented cohesive whole

formless/organic/fluid/ambiguous shapes appear to move and collide with one another, interlocking, and ultimately become one rhythmic, polychromatic, homogeneous assembly

Related themes

AbstractAbstract ArtGeometric AbstractionPolychromaticDrawing

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professionally trained and practicing as an architect, I have also been producing art inspired by physics, mathematics and geometry, the foundation of my artwork. abstract art characterized by dynamic,[...]

professionally trained and practicing as an architect, I have also been producing art inspired by physics, mathematics and geometry, the foundation of my artwork.
abstract art characterized by dynamic, angular geometries, contrasting shapes, overlapping polychromatic polygons, vibrant colors, sharp lines, and graphics elements.
derived from the application of mathematical formulas and geometric principles, it expresses concepts like speed, movement, energy, reflecting the changing, unstable characteristics of nature, as well as the fragmentation, uncertainty and undeterminability of life.
technically these compositions are influenced by Futurism, Rayonism, Constructivism, Suprematism, but take inspiration from comics, graphic design, diagrams and photographs of particle collisions and electron microscopy.
through continuous artistic research and development, and by learning/experimenting with different techniques, methods and tools, the art has evolved, becoming less rigid, less systematic, but more intuitive, gestural, fluid, and it is created by experimenting with figure-ground relationship, proportions, harmony, contrast, overlaps, layers, movement, and by analyzing and altering the behavior of colors, fields, shapes, lines and segments.

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