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DÉCONSTRUCTION (2023) Sculpture by Philippe Fares
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Usage: Web Licence
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1500 px |
Dimensions of the file (px) | 1500x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Original Artwork (One Of A Kind)
Sculpture,
Stainless Steel
/
Metals
/
Wire
on Metal
- Dimensions Height 11.8in, Width 22.4in / 1.20 kg
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Fit for outdoor? Yes, This artwork can be displayed outdoor
- Categories Sculptures under $5,000 Abstract Industry
Thus, for a large building, it would be a question of deconstruction by lightning strike or implosion, it is in a way, the opposite and extreme state of a construction.
Indeed, everything is held together, in the constructed state as in the deconstructed state, the building is hyperstatic, none of its elements (post, beam, floor) has a degree of freedom.
We move from a functional construction to a mass of structural elements self-blocked by gravity. In both cases, the assembly is reticulated, the constructed frame is calculated and optimized, the deconstruction itself, although anarchic, is organized somewhere.
This trend towards deconstruction is one of the major changes in construction practices, for about thirty years. We deconstruct rather than demolish, we have moved from a logic of waste to a logic of resources, we deconstruct in a different, alternative and virtuous way.
This is the process of the circular economy of the building.
To return to this work, at the beginning it was a temporary metal structure that served as support for a more imposing piece that the artist cut up as the BLOC was raised.
Philippe attached each section to the closest one, in order to obtain a hyperstatic deconstruction. Since the assembly does not allow any movement for each of its elements, the result is somehow magical.
Related themes
Philippe Fares is a contemporary French artist, whose journey has been profoundly shaped by diverse cultures and the interplay of art and science. His unique perspective, honed by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the world of art, particularly the influence of Primitive Arts. Returning to France at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western Arts while pursuing scientific studies.
Philippe Fares' artistic works are meticulously constructed using scientific methods and meticulous planning. His creations often feature a recurring tiling pattern, a meticulously balanced interplay with chance. This synthesis of meticulous design and the unpredictability of chance lends his works a dynamic and intriguing quality.
One of the defining features of Philippe's sculptures is his incorporation of light, whether through LED or Halogen sources. This infusion of light imbues each piece with a unique chromatic field, magnifying the contrast of the leading lines within the sculpture. Philippe understands that, in his art, what truly matters is the relationship between colors, dimensions, and positions. He views the proportion between the horizontal, the vertical, and the depth as a reflection of the three dimensions that envelop us, as well as the opposing forces that often govern life and space—the interplay between existence and non-existence, abundance and scarcity.
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Nationality:
FRANCE
- Date of birth : 1958
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists