Dunes Blue Hour (Triptyque) (2015) Photography by Philip Richard

Photography, 39.4x94.9 in
$7,735.53
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Mounted on Aluminium
Oeuvre présentée en triptyque de 3 éléments de h 101 cm x l 81,5cm x profondeur 5 cm avec cadre blanc affleurant de 5 cm de profondeur. L'histoire derrière l'image. Je n’étais pas venu pour cette photographie, pourtant ce paysage est le résultat d’une longue recherche de cadrage et de symétrie dans les dunes au cours des jours précédents. J’avais déjà [...]
Oeuvre présentée en triptyque de 3 éléments de h 101 cm x l 81,5cm x profondeur 5 cm avec cadre blanc affleurant de 5 cm de profondeur.

L'histoire derrière l'image
Je n’étais pas venu pour cette photographie, pourtant ce paysage est le résultat d’une longue recherche de cadrage et de symétrie dans les dunes au cours des jours précédents. J’avais déjà tout imaginé, les formes, les ombres, la couleur dorée des dunes au soleil couchant, et c’est bien ce que j’ai obtenu dans une première photographie.
Ce n’est qu’après avoir plié tout le matériel que je me suis aperçu du changement de lumière, avec le passage de la “Golden” à la “Blue hour”. C’est une toute autre atmosphère. La “Blue hour” ce sont les derniers moments avant la nuit. Tout s’est figé dans une ambiance glacée, la lumière dorée a disparu, il ne reste que quelques pas dans le sable...
La Nature révèle sa beauté froide.

Au sujet des éditions d’art

Vous offrir le meilleur, c’est non seulement une approche technique exigeante à la prise de vue, mais également à l’édition. L’objectif est de vous fournir une véritable « photographie d’art », selon les plus hauts standards professionnels de qualité, avec les techniques d'impression haute définition et grand format de l’un des meilleurs laboratoire photo au monde que j’ai sélectionné.

L'impression de la photographie réalisée par sublimation sur aluminium, donne une superbe brillance des couleurs sur un matériau fascinant, mince, léger, rigide et résistant aux rayures et aux intempéries. Les couleurs sont imprégnées à ultra-haute température dans le métal. Les impressions métal HD / Chromalux sont robustes et de haute qualité, résistent aux UV, et sont même imperméables. C’est le procédé que nous utilisons pour les très grands formats, en cas de contraintes de poids ou pour des conditions d’installation particulières tel que en environnement humide.

Cette oeuvre est également disponible en édition limitée sous verre acrylique ou Diasec TruLife anti-reflet. Les oeuvres sont disponibles en plusieurs formats typiquement entre 1,2 et 2,4 m de longueur.
Chaque oeuvre est fournie avec un certificat d'authenticité signé et numéroté.

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Related themes

BleuBlueBlue HourCrepusculeDesert

Automatically translated
Hyperrealism Bleu Blue Blue hour crepuscule desert Dune dusk Landscape Nature nightfall Panorama panoramic panoramique paysage scenery scenic sky soleil sun sundown
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Philip Richard Portrait
Philip Richard
France
Philip was born in a small town in south-east France, bathed in the light of Provence, and now lives in Aix-en-Provence. He has always been fascinated by the universe and colours, and has pursued his passions [...]

Philip was born in a small town in south-east France, bathed in the light of Provence, and now lives in Aix-en-Provence.  He has always been fascinated by the universe and colours, and has pursued his passions in two different directions in life. One was scientific, in search of the secrets of lightning and thunderstorms, which took him to the world's most heavily struck regions: Africa, Asia and the Americas, where he lived for several years in the American West. The other is artistic, as a nature photographer, where he combines his two sensibilities in a hyper-realistic photographic approach in search of authenticity, realism and impact. 

Philip has realised from his many travels and encounters that, despite the diversity of cultures, there are universally shared impressions when when faced with the spectacle of our universe. These are fundamental feelings about the mysteries and forces of nature that he wants to revive. His images are often conceptualised long in advance, right up to the moment when the natural elements come together - the location, the moment, the light - to create ‘the right impression’, and rediscover the visual and mental impact felt when contemplating our Mother Earth and Universe wonders.

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