Hardcore Cure (2022) 디지털 아트 Peter Dzogaba

미술용지, 11x8 in

귀하의 웹 사이트, 커뮤니케이션에 이 이미지를 사용하거나 파생 제품을 판매하려면 라이센스를 구입하십시오.

구매 즉시 다운로드
아티스트는 판매할 때마다 로열티를 받습니다
US$34.97
Usage: 웹 라이선스
웹 사이트 또는 인터넷에서 이미지를 사용합니다.
  1058 px  

1500 px
파일의 크기 (px) 1058x1500
전 세계적으로 사용
다중 지원에 사용
모든 유형의 미디어에 사용
재판매 권리 아니오
최대 인쇄 매수 0 (Zero)
판매용 제품 아니오
구매 즉시 다운로드

이 이미지는 라이선스로 다운로드할 수 있습니다.: 언제든지 다운로드할 수 있습니다.

제한

ArtMajeur의 모든 이미지는 아티스트가 만든 원본 예술 작품이며 모든 권리는 엄격하게 보유됩니다. 라이선스를 취득하면 라이선스 조건에 따라 이미지를 사용하거나 활용할 수 있는 권한이 부여됩니다. 프로젝트에 완벽하게 맞도록 이미지를 재구성하거나 초점을 다시 맞추는 등 사소한 수정은 가능하지만 사전에 아티스트의 서면 승인을 얻지 않는 한 원본 작품의 무결성을 손상시킬 수 있는 수정은 금지됩니다(모양 수정, 왜곡, 절단, 색상 변경, 요소 추가 등 ...).

커스텀 라이선스

귀하의 사용이 당사의 표준 라이선스에 포함되지 않는 경우 당사에 연락하여 맞춤형 라이선스를 요청하십시오.

아트 이미지 뱅크
  • 이 작품은 "오픈 에디션"입니다 디지털 아트, 지클레 프린트 / 디지털 인쇄
  • 치수 여러 크기 사용 가능
  • 여러 지원 가능 (미술용지, 메탈 프린트, 캔버스 프린트)
  • 프레이밍 프레임 사용 가능 (플로팅 프레임 + 유리 아래, 프레임 + 아크릴 유리 아래)
  • 작품의 상태 작품은 완벽한 상태입니다
  • 카테고리 개념 미술 만화
I understand that this is hard to believe - but the story that served as the basis for this graphic novel actually happened. One of my friends, while his wife was either in fitness or wandering around shopping mall's, he was sitting at home, watching TV (oh, Gods, do such people really exist!?). And while he was enthusiastically watching some series, [...]
I understand that this is hard to believe - but the story that served as the basis for this graphic novel actually happened. One of my friends, while his wife was either in fitness or wandering around shopping mall's, he was sitting at home, watching TV (oh, Gods, do such people really exist!?). And while he was enthusiastically watching some series, this dude was scratching his belly. Imagine his surprise when he felt that his finger had penetrated through the navel and he was sitting in front of the TV, afraid to move ... Then, of course, he called an ambulance and in the hospital they sewed up his navel again. But this feeling - when your body suddenly surprised you so much ... Never forget

관련 테마

DzogabaYoboboComics

자동 번역
팔로우
Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry. Peter's oeuvre draws on the 20th c. modernist tradition and reflects the [...]

Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry.

Peter's oeuvre draws on the 20th c. modernist tradition and reflects the edgy current social awareness so typical of the German millennial culture.  Peter's images with seemingly fairy-tale like narrative hide a deft analysis of the current social crisis.

Fear of the unknown, emotionally underhanded tactics and messages media employs to manipulate- to exploit or pacify such fears,- as well as the consequences of such tactics are the issues Dzogaba explores in his series.

As all Peter's work - though deceivingly simple and childlike,  this contemporary comics is brilliantly layered and complex.  On the surface, it is a tale of the Giant Yubobo told from a perspective of a little boy.  Its simplicity -also typical of his Yubobo series- is meant to both disarm and intrigue the viewer, to elicit his inner child and delve into the story of a mysterious Cyclop (one-eyed) giant.  Who is he, why did he come, where did he come from,  what does he want?

As a whole, Yobobo series consists of several paintings, yet their order can be altered, some images can be omitted, others added when displayed- without changing the meaning or ultimate goal of the narrative Dzogaba attempts to convey.  The idea of this narrative “play” – amplification, addition and omission of narrative elements of the whole story (or “whole picture”)- was conceived to replicate tactics used by the current news media to manipulate our attitudes, our worldview when encountering new social phenomena. 

Peter’s images with his seemingly fairy tale like narrative hide a deft analysis of the current social problem faced by the European continent - that of the migrant crisis. His approach both mimics and criticizes that of the current media.

His “comics” tell a story of a giant Yobobo who shows up in a fictitious megalopolis squeezing through the city’s skyscrapers.  Overnight he becomes a media celebrity.  One minute a Violet Lady gave him a funny moon, the next, the giant is trying to shield himself from the flashes of paparazzi’s cameras.   Among the journalists is a red-headed female whom Yubobo decides to let her in on a secret… And the following morning she wakes up with a strange looking big artificial hand that makes her strong and capable of doing anything she wants and desires.

Yet the girl gets frightened and collapses mentally unable to deal with her new reality.  There are many more like her until one of the "strong arm" girls realizes she likes using it to stroke her hair; another girl uses it to fashion herself a companion robot.  Eventually, little by little, the inhabitants of the city get used to what’s happening and pretend that everything is just normal...


[Silvia Lattova, Think+Feel Contemporary]

Peter Dzogaba에서 더 자세한 내용을 확인하세요.

모든 작품보기
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종이의 아크릴 | 23.6x16.5 in
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