전문가의 선택
현대 미술계의 유명 전문가들이 엄선한 예술 작품입니다.
JÉRÔME PANTALACCI
이미지를 통한 믿음
사진적 시선
사진은 그 창조 이래로 관람자의 믿음의 유효성을 내포하고 있습니다. 그것은 즉시 현실의 신뢰할 수 있는 반영으로 인식되었습니다. 그러나 그것은 결코 그런 적이 없습니다. 사진작가들은 이 신뢰성에 제한을 두지 않고, 카메라를 잡아 세상을 다른 시선으로 바라보고 우리의 감각과 놀았습니다.
디지털과 인공지능이 모든 조작을 가능하게 하고, 이미지가 끊임없이 의심받는 시대에, 사진이 더 이상 믿음의 유효성을 상실하고 관람자가 자신이 보는 것을 더 이상 믿지 않는 상황에서도, 일부 사진작가들은 카메라, 프레임, 단일 초점의 관점을 가지고 놀아 새로운 이미지를 만들어 세상을 다르게 바라보도록 우리를 이끕니다.
세상에 대한 새로운 주의를 기울이고, 단지 현실에 가까워지거나 시각을 바꾸는 것은 잘못된 이미지에 압도된 세상에서 우리의 현실에 대한 믿음을 잃어버리는 가운데 눈의 휴식이 됩니다.
사진적 시선
사진은 그 창조 이래로 관람자의 믿음의 유효성을 내포하고 있습니다. 그것은 즉시 현실의 신뢰할 수 있는 반영으로 인식되었습니다. 그러나 그것은 결코 그런 적이 없습니다. 사진작가들은 이 신뢰성에 제한을 두지 않고, 카메라를 잡아 세상을 다른 시선으로 바라보고 우리의 감각과 놀았습니다.
디지털과 인공지능이 모든 조작을 가능하게 하고, 이미지가 끊임없이 의심받는 시대에, 사진이 더 이상 믿음의 유효성을 상실하고 관람자가 자신이 보는 것을 더 이상 믿지 않는 상황에서도, 일부 사진작가들은 카메라, 프레임, 단일 초점의 관점을 가지고 놀아 새로운 이미지를 만들어 세상을 다르게 바라보도록 우리를 이끕니다.
세상에 대한 새로운 주의를 기울이고, 단지 현실에 가까워지거나 시각을 바꾸는 것은 잘못된 이미지에 압도된 세상에서 우리의 현실에 대한 믿음을 잃어버리는 가운데 눈의 휴식이 됩니다.
MARC DONNADIEU
가족 사진 (인디안 서머)
사진 여행
이 사진 여행은 여름 시즌에 초점을 맞추고 있으며, 일상의 평범함을 버리고 휴가의 시간을 다르게 경험하는 순간입니다. 이는 Hicham Ahyoud, Hervé Gergaud 또는 Anne-Marie Bertin의 이미지처럼 새로운 가족 이야기를 섬세하게 포착할 수 있게 해줍니다.
여행의 시간은 시각적 조각으로 분해되고 재구성됩니다. Henry Pouillon, Jean-Michel Ratron 및 Catherine Ballet의 작품은 대비, 왜곡 또는 중첩 효과를 통해 이를 완벽하게 보여줍니다.
많은 사람들에게 해변은 휴가의 상징적인 영역입니다. 우리는 다른 사람들과 격리되면서도 그곳에서 많이 만납니다. Cécile Ducrot, Emmanuel Passeleu 및 Hégémon Chaignon의 사진은 바다의 수평선의 광대함에 직면한 인간의 연약함을 재현합니다. 그러나 그것은 Gilliard Bressan과 Sharlie Evans가 증명하듯이 수직성에 대한 정복이기도 합니다. 우리는 거의 공중에 떠 있는 형태를 통해 서로를 측정하고 둘이서 포옹합니다.
사진은 또한 색상과 그래픽의 문제입니다. 이는 Ori Junior, Debbie Scott-Queenin 또는 Elke Matthaeus의 우울한 석양이 확증합니다.
Luc Pallegoix는 여름 밤의 중심에 게임과 꿈의 요소를 가진 동물의 토템 같은 형상을 새깁니다. 여름에 놀아볼까요?...
사진 여행. 이 사진 여행은 여름 시즌에 초점을 맞추고 있으며, 일상의 평범함을 버리고 휴가의 시간을 다르게 경험하는 순간입니다. 이는 Hicham Ahyoud, Hervé Gergaud 또는 Anne-Marie Bertin의 이미지처럼 새로운 가족 이야기를 섬세하게 포착할 수 있게 해줍니다. 여행의 시간은 시각적 조각으로 분해되고 재구성됩니다. Henry Pouillon, Jean-Michel Ratron 및 Catherine Ballet의 작품은 대비, 왜곡 또는 중첩 효과를 통해 이를 완벽하게 보여줍니다. 많은 사람들에게 해변은 휴가의 상징적인 영역입니다. 우리는 다른 사람들과 격리되면서도 그곳에서 많이 만납니다. Cécile Ducrot, Emmanuel Passeleu 및 Hégémon Chaignon의 사진은 바다의 수평선의 광대함에 직면한 인간의 연약함을 재현합니다. 그러나 그것은 Gilliard Bressan과 Sharlie Evans가 증명하듯이 수직성에 대한 정복이기도 합니다. 우리는 거의 공중에 떠 있는 형태를 통해 서로를 측정하고 둘이서 포옹합니다. 사진은 또한 색상과 그래픽의 문제입니다. 이는 Ori Junior, Debbie Scott-Queenin [...]
사진 여행
이 사진 여행은 여름 시즌에 초점을 맞추고 있으며, 일상의 평범함을 버리고 휴가의 시간을 다르게 경험하는 순간입니다. 이는 Hicham Ahyoud, Hervé Gergaud 또는 Anne-Marie Bertin의 이미지처럼 새로운 가족 이야기를 섬세하게 포착할 수 있게 해줍니다.
여행의 시간은 시각적 조각으로 분해되고 재구성됩니다. Henry Pouillon, Jean-Michel Ratron 및 Catherine Ballet의 작품은 대비, 왜곡 또는 중첩 효과를 통해 이를 완벽하게 보여줍니다.
많은 사람들에게 해변은 휴가의 상징적인 영역입니다. 우리는 다른 사람들과 격리되면서도 그곳에서 많이 만납니다. Cécile Ducrot, Emmanuel Passeleu 및 Hégémon Chaignon의 사진은 바다의 수평선의 광대함에 직면한 인간의 연약함을 재현합니다. 그러나 그것은 Gilliard Bressan과 Sharlie Evans가 증명하듯이 수직성에 대한 정복이기도 합니다. 우리는 거의 공중에 떠 있는 형태를 통해 서로를 측정하고 둘이서 포옹합니다.
사진은 또한 색상과 그래픽의 문제입니다. 이는 Ori Junior, Debbie Scott-Queenin 또는 Elke Matthaeus의 우울한 석양이 확증합니다.
Luc Pallegoix는 여름 밤의 중심에 게임과 꿈의 요소를 가진 동물의 토템 같은 형상을 새깁니다. 여름에 놀아볼까요?...
LAURENCE DREYFUS
RIVIERA
Laurence Dreyfus가 세심하게 조화시킨 Riviera 선택은 지중해의 빛나는 본질과 독특함을 섬세하게 포착합니다. 이 풍부하고 역동적인 큐레이션은 다양한 지평을 가진 작품들을 모읍니다: 색상과 빛이 완벽한 조화를 이루는 생동감 넘치는 추상화, Jchadima나 Mila Weis의 그림 시리즈와 같은; 몸의 순수함을 가장 진정한 형태로 기리는 세련된 조각들, Marie Saksik의 조각과 같은; 그리고 자연과 도시가 우아하게 대화하는 건축적이고 꿈 같은 풍경들, Gaetano Ligrani의 Riflessioni나 Gozo의 Viaje solitario와 같은.
햇살의 반짝임, 섬세한 분위기, 그리고 정지된 순간들 사이에서, 각 창작물 - Fabienne Choyau의 Réflexion féline처럼 구상적이거나, François Cusson의 Carotte sauvage, rouge처럼 더 시적이든 - 시각적이고 감정적인 여행으로 초대하며, 깊이 독특한 경험을 제공합니다.
Riviera는 이 특별한 지역을 형성하는 문화적 풍요로움과 예술적 다양성에 경의를 표하며, 물질, 빛, 그리고 지중해의 숨결이 결합하여 드문 강도의 시각적 교향곡을 만들어냅니다.
Laurence Dreyfus가 세심하게 조화시킨 Riviera 선택은 지중해의 빛나는 본질과 독특함을 섬세하게 포착합니다. 이 풍부하고 역동적인 큐레이션은 다양한 지평을 가진 작품들을 모읍니다: 색상과 빛이 완벽한 조화를 이루는 생동감 넘치는 추상화, Jchadima나 Mila Weis의 그림 시리즈와 같은; 몸의 순수함을 가장 진정한 형태로 기리는 세련된 조각들, Marie Saksik의 조각과 같은; 그리고 자연과 도시가 우아하게 대화하는 건축적이고 꿈 같은 풍경들, Gaetano Ligrani의 Riflessioni나 Gozo의 Viaje solitario와 같은. 햇살의 반짝임, 섬세한 분위기, 그리고 정지된 순간들 사이에서, 각 창작물 - Fabienne Choyau의 Réflexion féline처럼 구상적이거나, François Cusson의 Carotte sauvage, rouge처럼 더 시적이든 - 시각적이고 감정적인 여행으로 초대하며, 깊이 독특한 경험을 제공합니다. Riviera는 이 특별한 지역을 형성하는 문화적 풍요로움과 예술적 다양성에 경의를 표하며, 물질, 빛, 그리고 지중해의 숨결이 결합하여 드문 강도의 시각적 교향곡을 만들어냅니다.
Laurence Dreyfus가 세심하게 조화시킨 Riviera 선택은 지중해의 빛나는 본질과 독특함을 섬세하게 포착합니다. 이 풍부하고 역동적인 큐레이션은 다양한 지평을 가진 작품들을 모읍니다: 색상과 빛이 완벽한 조화를 이루는 생동감 넘치는 추상화, Jchadima나 Mila Weis의 그림 시리즈와 같은; 몸의 순수함을 가장 진정한 형태로 기리는 세련된 조각들, Marie Saksik의 조각과 같은; 그리고 자연과 도시가 우아하게 대화하는 건축적이고 꿈 같은 풍경들, Gaetano Ligrani의 Riflessioni나 Gozo의 Viaje solitario와 같은.
햇살의 반짝임, 섬세한 분위기, 그리고 정지된 순간들 사이에서, 각 창작물 - Fabienne Choyau의 Réflexion féline처럼 구상적이거나, François Cusson의 Carotte sauvage, rouge처럼 더 시적이든 - 시각적이고 감정적인 여행으로 초대하며, 깊이 독특한 경험을 제공합니다.
Riviera는 이 특별한 지역을 형성하는 문화적 풍요로움과 예술적 다양성에 경의를 표하며, 물질, 빛, 그리고 지중해의 숨결이 결합하여 드문 강도의 시각적 교향곡을 만들어냅니다.
SONIA PERRIN
THE FOREST OF DREAMS
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world. Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living [...]
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
SONIA PERRIN
COUPS DE ❤️ ART-O-RAMA
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
THE DRAWER
RAINBOW PORTRAITS
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
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ARTYSANAT
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand. By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading [...]
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
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IMAGINING THE INVISIBLE
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
THE DRAWER
THE ART OF BLURRING
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic [...]
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic "what we perceive of this great whole called nature". He entitles his canvas "Ouvrir les yeux sous l'eau" ("Open your eyes under water"). And everything naturally becomes a blur. English artist Jack Warne, who suffers from a hereditary corneal disease, manipulates the source photographic image to create compositions in which real objects stand out. These works are best viewed with eyes half-closed, to gain new insights into our world and theirs.
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The [...]
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic "what we perceive of this great whole called nature". He entitles his canvas "Ouvrir les yeux sous l'eau" ("Open your eyes under water"). And everything naturally becomes a blur. English artist Jack Warne, who suffers from a hereditary corneal disease, manipulates the source photographic image to create compositions in which real objects stand out. These works are best viewed with eyes half-closed, to gain new insights into our world and theirs.
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NEW PERSPECTIVES
This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
