Structure complexe (2023) Photography by Paulous

Fine art paper, 8x11 in

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$113.28
Usage: Web Licence
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  1125 px  

1500 px
Dimensions of the file (px) 1125x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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Art image bank
  • This work is an "Open Edition" Photography, Giclée Print / Digital Print on Paper
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Photographs under $500 Outsider Art Geometric
Je suis tombé en arrêt devant cette structure invraisemblable, en pleine ville et qui par certains aspects m'a semblé terrifiante. Je pouvais la voir, titubante comme un homme ivre, ou agressive comme une avalanche de montagne. Mais à la fois, je la trouvais jubilatoire et j'imaginais des tas de solutions. son envol, sa chute, la souplesse, presque [...]
Je suis tombé en arrêt devant cette structure invraisemblable, en pleine ville et qui par certains aspects m'a semblé terrifiante. Je pouvais la voir, titubante comme un homme ivre, ou agressive comme une avalanche de montagne. Mais à la fois, je la trouvais jubilatoire et j'imaginais des tas de solutions... son envol, sa chute, la souplesse, presque de la poésie.

Related themes

ArrêtStructureVilleAspectsTerrifiante

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Paulous is a photographer who likes to classify himself as an artist practicing raw art. He always felt and always wanted to free himself from academic rules. He doesn't care if it's too dark, too bright, too [...]

Paulous is a photographer who likes to classify himself as an artist practicing raw art. He always felt and always wanted to free himself from academic rules. He doesn't care if it's too dark, too bright, too blurry... If he likes the photo, really looks like a work of his mind, of his 'ego', then he keeps it. Otherwise, it destroys it.

Particularly addressing the themes of landscape, industrial wastelands and details of objects that we see daily without really seeing them, his work is distinguished by a new and offbeat lighting.

Paulous was born in 1944. He lives and works in Coincy (France). He received his first camera when he was 11 years old. He had the immense chance, at the beginning of his professional life, to learn the technique in depth: shooting, in the studio or outside, development, (and for the industry, photo retouching on negative and/or positive )... Enlargement and printing. His work is present in many private collections.

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