Le potager des souvenirs, choux rouge (2023) Photography by Olivier Pasquiers

Photography, 19.7x15.8 in
$630.09
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Choux rouge Une photographie extraite de la série de nature morte "Le potager des souvenirs". Des photographies réalisées à la camera obscura numérique, avec un objectif de chambre 20x25 cm. Tirages réalisés par mes soins sur papier Canson mat 310 g. Disponible au format 24x30 cm, 40 x 50 cm (au delà me contacter). Des photographies[...]
Choux rouge
Une photographie extraite de la série de nature morte "Le potager des souvenirs". Des photographies réalisées à la camera obscura numérique, avec un objectif de chambre 20x25 cm. Tirages réalisés par mes soins sur papier Canson mat 310 g. Disponible au format 24x30 cm, 40 x 50 cm (au delà me contacter).
Des photographies accompagnées des souvenirs enregistrés des personnes participantes. Une création menée en collaboration avec le Centre SocioCulturel Yannick Noah. A écouter sur la page dédiée de mon site internet.

Related themes

Choux RougeLégumeAlimentAlimentationNouriture

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Photographer since 1988, after scientific studies. Member of the bar Floréal.photographie between 1991 and 2015, date of the disappearance of the collective. Since 2015, he has been associated with the[...]

Photographer since 1988, after scientific studies.
Member of the bar Floréal.photographie between 1991 and 2015, date of the disappearance of the collective. Since 2015, he has been associated with the artist collective La Colline (from Montreuil) directed by Fred Soupa.
His work has been the subject of numerous personal or group exhibitions.

Whether during residencies or to respond to orders, his projects are very often shared creations. That is to say, they only take on meaning when there is active participation from the people he meets. André Rouille in his book La Photographie (Folio Gallimard edition 2005) described his work as dialogist, that is to say considering the other as Subject (and often co-author of the work) and not as a simple object to be photograph.

Since then, many of his creations have continued to be built around encounters. Whether it is going to survey the landscapes or questioning memories by opening family albums, wallets, or these small personal museums where these memory objects that constitute us accumulate.

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