Cenicienta (2021) Painting by Olivia Caballero González
Seller Olivia Caballero González
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
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Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 23.6in, Width 23.6in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative
Érase una mujer esclava de sus obligaciones y sus miedos, que como por arte de magia, logró escapar una noche en la que perdió la cabeza, la vergüenza y hasta un zapato. Al día siguiente también se dio cuenta de que había perdido el tiempo con alguien que no era capaz de recordar su nombre ni su cara, pero que encontró un zapato debajo de su cama y no dudó en escribir un torpe Whatsapp a su dueña para devolvérselo y refrescar la memoria.
Pero Cenicienta pensó que prefería mantener en su recuerdo esa noche borrosa e incluso idealizar lo poco que podía recordar para que no se perdiese la magia. Como era una mujer práctica, pensó en salir a comprar un nuevo par de zapatos de tacón en cuanto empezasen las rebajas, por si volvía a darse la oportunidad de escapar, que no la pillase descalza.
Related themes
TaconZapato De TaconCuadro ZapatoCuadro TaconesCuadro Zapato Mujer
My artistic curriculum is very short compared to that of other artists, and this is because it is linked to my personal biography and not to my professional one.
I am a self-taught artist, born in Madrid in April 1980. There is no memory since my childhood in which I have not drawn, painted or developed some type of creation related to manual art: from plasticine to DIY, including, of course, drawing and painting.< br />Since I can remember, I have been in a continuous process of artistic development and this translates into a wide variety of styles and techniques, which in many cases have evolved or disappeared.
Diversity, disorder and chaos: My works could have been done by several people with different profiles, and coexistence between them is sometimes difficult even for my eyesight, but I can't help but be inspired by different images or situations that go unnoticed or are not followed by many people. a logical order. I am a passionate woman who works by crush.
I consider myself a positive person with the environment, very self-critical with myself. I value staying in the background (and even going unnoticed) but I have the ability to always see and perceive the best in each person. My "Muses" appear and disappear around every corner.
People who really know me describe me as a real person, that is, that I am who I am at all times, without any kind of pretense or mask. Sometimes too bright and other times too quiet. I have a lot of inner life; maybe too much!
I painted my first oil at the age of seven, although by that time I had already mastered charcoal thanks to private classes that my parents were able to afford me with great effort. At eight, I began my journey in the world of children's exhibitions and competitions at the hands of great people to whom I will always be grateful.
During adolescence I devoted myself to drawing with a pen, in this case, with a surreal theme flirting with gore. Sometimes I would design tattoos for my friends. Every time someone I know from that time tells me that they remember my drawings a lot, I can't help but get emotional.
Although I have never completely given up, I took up oil painting again around 2005, taking it beyond domestic limits in 2014, that is, when I stopped painting to decorate my home and opened up again to the world of exhibitions and competitions.
Currently, art is part of my daily routine, given which is what I dedicate most of my nights to.
My works lack high artistic pretensions. I like to transmit sensations, that the observer makes his imagination work. Each work has a reason, and moments of my life and all the thoughts that accompanied me during its creation are carried in each brushstroke. They are like my little diaries.
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Nationality:
SPAIN
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Spanish Artists
