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Levelling down Possibilities of Being (BT127) (2025) Painting by Noël Van Hoof
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Cardboard
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Dimensions
19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $1,000 Illustration Cartoon
The “they” has its own ways in which to be. That tendency of Being-with which we have called “distantiality” is grounded in the fact that Being-with-one-another concerns itself as such with averageness, which is an existential characteristic of the “they”. The “they”, in its Being, essentially makes an issue of this. Thus the “they” maintains itself factically in the averageness of that which belongs to it, of that which it regards as valid and that which it does not, and of that to which it grants success and that to which it denies it. In this averageness with which it prescribes what can and may be ventured, it keeps watch over everything exceptional that thrusts itself to the fore. Every kind of priority gets noislessly suppressed. Overnight, everything that is primordial gets glossed over as something that has long been well known. Everything gained by a struggle becomes just something to be manipulated. Every secret loses its force. This care of averageness reveals in turn an essential tendency of Dasein which we call the “levelling down” [“Einebnung”] of all possibilities of Being.
Distantiality, averageness, and levelling down, as ways of Being for the “they”, constitute what we know as 'publicness' [“die Öffentlichkeit”]. Publicness proximally controls every way in which the world and Dasein get interpreted, and it is always right – not because there is some distinctive and primary relationship-of-Being in which it is related to 'Things', or because it avails itself of some transparency on the part of Dasein which it has explicitly appropriated, but because it is insensitive to every difference of level and of genuineness and thus never gets to the 'heart of the matter' [“auf die Sachen”]. By publicness everything gets obscured, and what has thus been covered up gets passed off as something familiar and accessible to everyone.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
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Nationality:
NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
