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Augustine's Labour (BT43/44) (2025) Painting by Noël Van Hoof
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Usage: Web Licence
| 1244 px | ||
|
1500 px |
| Dimensions of the file (px) | 1244x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Cardboard
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Dimensions
19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $1,000 Illustration Religion
In determining itself as an entity, Dasein always does so in the light of a possibility which it is itself and which, in its very Being, it somehow understands. This is the formal meaning of Dasein's existential constitution. But this tells us that if we are to Interpret this entity ontologically, the problematic of its Being must be developed from the existentiality of its existence. This cannot mean, however, that “Dasein” is to be construed in terms of some concrete possible idea of existence. At the outset of our analysis it is particularly important that Dasein should not be Interpreted with the differentiated character [Differenz] of some definite way of existing, but that it should be uncovered [aufgedeckt] in the undifferentiated character which it has proximally and for the most part. This undifferentiated character of Dasein's everydayness is not nothing, but a positive phenomenal characteristic of this entity. Out of this kind of Being – and back into it again – is all existing, such as it is. We call this everyday undifferentiated character of Dasein “averageness” [Durchschnittlichkeit].
And because this average everydayness makes up what is ontically proximal for this entity, it has again and again been passed over in explicating Dasein. That which is ontically closest and well known, is ontologically the farthest and not known at all; and its ontological signification is constantly overlooked. Whe Augustine asks: “Quid autem propinquius meipso mihi?” and must answer: “ego certe laboro hic et laboro in meipso: factus sum mihi terra difficultatis et sudoris nimii”, this applies not only to the ontical and pre-ontological opaqueness of Dasein but even more to the ontological task which lies ahead; for not only must this entity not be missed in that kind of Being in which it is phenomenally closest, but it must be mad accessible by a positive characterization.
(Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
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Nationality:
NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
