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That in the face of which we fear (BT140/141) (2024) Painting by Noël Van Hoof
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Cardboard
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Dimensions
19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $1,000 Illustration Dark Fantasy
In the face of which we fear, the 'fearsome', is in every case something which we encounter within-the-world and which may have either readiness-to-hand, presence-at-hand, or Dasein-with as its kind of Being. We are not going to make an ontical report on those entities which can often and for the most part be 'fearsome': we are to define the fearsome phenomenally in its fearsomeness. What do we encounter in fearing that belongs to the fearsome as such? That in the face of which we fear can be characterized as threatening. Here several points must be considered. 1. What we encounter has detrimentality as its kind of involvement. It shows itself within a context of involvements. 2. The target of this detrimentality is a definite range of what can be affected by it; thus the detrimentality is itself made definite, and comes from a definite region. 3. The region itself is well known as such, and so is that which is coming from it; but that which is coming from it has something 'queer' about it. 4. That which is detrimental, as something that threatens us, is not yet within striking distance [in beherrschbarer Nähe], but it is coming close. In such a drawing-close, the detrimentality radiates out, and therein lies its threatening character. 5. This drawing-close is within what is close by. Indeed, something may be detrimental in the highest degree and may even be coming constantly closer; but if it is still far off, its fearsomeness remains veiled. If, however, that which is detrimental draws close and is close by, then it is threatening: it can reach us, and yet it may not. As it draws close, this 'it can, and yet in the end it may not' becomes aggravated. We say, “It is fearsome”. 6. This implies that what is detrimental as coming-close close by carries with it the patent possibility that it may stay away and pass us by; but instead of lessening or extinguishing our fearing, this enhances it.
Translation by John Macquarrie and Edward Robinson)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
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Nationality:
NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists
