


Settembrini's Concern for Hans Castorp (MM29) (2024) Painting by Noël Van Hoof
Seller Noël Van Hoof
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Cardboard
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Dimensions
19.7x15.8 in
Dimensions of the work alone, without framing: Height 14.2in, Width 11.8in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $1,000 Illustration Caricature
“Seven and four,” Hans Castorp said. “Eight and three. Jack, queen, king. It's going to work. You bring me luck, Herr Settembrini.” The Italian said nothing. Hans Castorp could feel those black eyes, that gaze of reason and morality, resting in deep mourning upon him, but went right on laying out his cards for a while, before he finally laid his cheek in one hand and stared up with a naughty child's sullen look of false innocence.
“Your eyes,” his mentor said, “try in vain to conceal that you know how things stand with you.”
“Placet experiri,” Hans Castorp had the impudence to reply, and herr Settembrini departed – and then, to be sure, once left to his own devices, the young man did not lay out his cards again, but sat for a long time at the table in his white room, his head propped in his hand, brooding, gripped by the horror of the eerie and skewed state in which he saw the world entrapped, by the fear of the grinning demon and monkey-god in whose crazed and unrestrained power he now found himself – and whose name was “The Great Stupor.”
A fearful, apocalyptic name, very much calculated to instill secret terrors. Hans Castorp sat and rubbed his brow and the area around his heart with the palms of his hands. He was afraid. It was as if “all this” could come to no good end, as if the end was surely a catastrophe, a rebellion of patient nature, a thunderstorm and a great cleansing wind that would break the spell cast over the world, wrench life from its “dead standstill,” and overturn the “doldrums” in a terrible Last Judgment. He longed to flee, as noted – it was just lucky that medical authority had, as mentioned before, kept an “unblinking eye” on him, that it had known how to read the expression on his face and was intent on diverting him with new, fertile hypotheses.
(English translation by John E. Woods)
Related themes
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.
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Nationality:
NETHERLANDS
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Dutch Artists