Diane de Poitiers (2025) Painting by Nicolas Maureau

Oil on Canvas, 51.2x38.2 in
$4,243.26
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 51.2in, Width 38.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative Women Portraits
Diane de Poitiers (1499-1566) fut l’une des figures les plus influentes de la cour des Valois. D'abord dame d'honneur de la reine Claude, elle devient la favorite du roi Henri II, de vingt ans son cadet, qu’elle domine par son intelligence, son élégance et sa culture. Bien qu’elle n’ait jamais eu de titre officiel, elle exerça un pouvoir politique [...]
Diane de Poitiers (1499-1566) fut l’une des figures les plus influentes de la cour des Valois. D'abord dame d'honneur de la reine Claude, elle devient la favorite du roi Henri II, de vingt ans son cadet, qu’elle domine par son intelligence, son élégance et sa culture. Bien qu’elle n’ait jamais eu de titre officiel, elle exerça un pouvoir politique et économique considérable, recevant notamment le château de Chenonceau, qu’elle transforma en résidence raffinée. Protectrice des arts, elle fut aussi un modèle récurrent de la déesse Diane, symbole de chasteté, de noblesse et de chasse, dans la peinture et la sculpture de la Renaissance. Après la mort d’Henri II, elle est évincée de la cour par Catherine de Médicis mais concevra ses avoirs . Sa légende perdure comme celle d’une femme libre, cultivée et stratège, mêlant pouvoir et beauté.

Du portrait en Diane à une figure d’activiste écologique contemporaine
L’œuvre peut se lire comme une actualisation critique du portrait en "Diane", genre très en vogue au XVIIIe siècle dans les milieux aristocratiques, où les femmes de la cour se faisaient représenter sous les traits de la déesse chasseresse Diane (Artémis), symbole de beauté, de pureté et d’indépendance. Ces portraits offraient une image idéalisée de la femme libre et puissante, mais toujours dans les limites d’un cadre mythologique maîtrisé, élégant et esthétisant.

Ici Diane de Poitiers ne se contente plus d’incarner symboliquement la déesse : elle devient Diane, transposée dans un monde contemporain. Elle n’est plus la muse d’un imaginaire galant, mais une figure d’autorité active, ambiguë activiste militante.
Diane porte une veste de tailleur noir rehaussé de broderies au fil d’argent entre armure et uniforme. Ce vêtement évoque une figure de pouvoir moderne : cheffe d’entreprise, stratège politique, peut-être même une criminelle de série TV. L’argent, associé à la lune, renvoie à la Diane mythologique. Le fusil d’assaut qu’elle tient, viens remplacer arc et flèches, évoquant un engagement radical, la défense d’un territoire, d’un idéal. Un écho aux nouvelles formes d’activisme écologique qui n’excluent pas la confrontation, voire la lutte armée. La mousse verte envahissant son siège installe un paysage surnaturel voire post-apocalyptique : une nature puissante, peut-être vengeresse. Diane n’est pas ici en posture de chasseuse, mais de gardienne d’un monde sauvage menacé. La chouette morte à ses pieds, symbole de sagesse et de nuit, peut être interprétée comme le signe d’une rupture entre l’humanité et les équilibres naturels, que Diane condamne et dénonce d’un geste. Elle désigne l’offense faite à la nature elle-même.

Diane de Poitiers devient ici une figure hybride : à la fois héritière des représentations féminines mythologiques du pouvoir (la Diane classique) et reflet d’un nouveau modèle de puissance féminine dans un monde en crise. Diane de Poitiers qui a su, en son temps, manier les armes invisibles du pouvoir avec une redoutable efficacité incarne une ici autorité lucide, froide, déterminée, non plus dans les salons ou les chasses a cour, mais dans un champ de tensions contemporaines : écologie ou violence systémique.

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Nicolas Maureau is a contemporary French painter who embarked on his artistic journey with a solid foundation in the arts, having graduated from the prestigious École supérieure d’art de Bretagne [...]

Nicolas Maureau is a contemporary French painter who embarked on his artistic journey with a solid foundation in the arts, having graduated from the prestigious École supérieure d’art de Bretagne in Rennes. His artistic evolution took a significant turn in 2009 when he shifted his focus towards figuration, marking the inception of his distinctive artistic voice. The following year, in 2010, he garnered recognition for his talent by receiving the special prize from the ArToulouse jury, affirming his burgeoning presence in the art world.

Maureau's artwork has found ample exposure on a national scale, with numerous exhibitions showcasing his creations. Central to his artistic exploration is the rich iconography of painting that predates the year 1914. Through his work, he delves deep into the annals of art history, seeking to unravel the threads that connect past artistic expressions with our contemporary individual and societal behaviors.

Intriguingly, Nicolas Maureau's art extends beyond historical reflections. He skillfully translates complex notions of gender and explores the intricate relationship between the male and female bodies. His figurative compositions come to life on canvas through the adept use of acrylics and oils, reflecting his mastery of the medium.

Nicolas Maureau's artistic contributions have not gone unnoticed, finding their place in both private and public art collections, including the prestigious Draguignan art library. Furthermore, his work has been showcased in various publications, such as "The Art of Men USA" in 2016, "Beaux-arts magazine" in 2014 and 2018, and "Parcours des Arts" in 2021. His art continues to captivate audiences, inviting them to explore the interplay between history, gender, and the human form through the lens of a gifted contemporary French painter.

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