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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 39.4in, Width 39.4in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract
39,4 x 39,4 inch / 1 x 1 m
Oil pastel & oil on canvas
GEOMETRICAL PASTEL
With rosaceous, oblique forms and pastel spheres, Nando sees the world in full colours and leaves his structuralist glance on the paper. His big size canvas and perfect geometric puzzles reveal at the mercy of the spirals,the illuminated curves of faces and enchanting scenery. Nando develops a unique style and transforms his vanishing lines into lines of life. Each one in front, is free to invent it’s own landscape.
{Paris, ADAGPo2020}
Related themes
« We draw to find oneself and we meet others »
Louis Pons, French Astronomer.
I first saw Nando's work as I was working on an order from Elle Magazine that was willing to write chronicles of his exhibition at the Modern Mix Gallery in Toulouse, in December 2007. Going through his work of pastel, I discovered the work of a young hardworking man whose sensitive stroke to the beauty of curves was going counter-current the pictorial tendencies of the moment. Writing on the realizations of an artist is not an easy task, and even more so when you were never given the opportunity to "physically" meet the painter. Nevertheless, I found in the orginality of his canvas, mingled with the precision of the curves and the harmonious matrimony of the colours, rich enough material to write on my sheet.
Later, as he was telling me about the different stages of his artistic career, Nando was giving me several useful key points in the apprehension of his work. Furthermore, his background, getting experience in several countries, his instinctive approach of pastel since his adolescence as well as his fear copying and re-copying from other creators are to be considered as many constituent pieces of his graphical jigsaws. He admits that each of his paintings contains a part of his past and present emotions, he although claims the non-existence of topics or any specific link between them. Thus, he paints according to his mood and the color becomes the privileged witness of his sentimental variations. We are spectators of this exercise but we read out of the random rosaceous and the sidelong shapes, a particular world. And it is, I think, the strength of Nando's canvas; They are all very personal, but look like each of us. To me, what I guess from these lignes, dreamlike sights where mixed race faces mingle and kiss. It is my interpretation, guess your own..
Jean-Luc Feixa - June 2009, independent journalist - Elle magazine collaborator...
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Nationality:
SPAIN
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Spanish Artists
