Dérision du Christ (1505) Painting by Matthias Grünewald
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Original Artwork
Painting,
Oil
- Dimensions Height 42.9in, Width 29.3in
- Framing This artwork is not framed
- Categories Classicism Religion
La peinture montre le Christ, les soldats se tiennent devant lui, le frappant et le pointant du doigt, tandis que d'autres spectateurs assistent à la scène. Le visage du Christ est tourné vers le ciel, exprimant à la fois la douleur et la résignation.
La peinture est connue pour son réalisme brutal et sa représentation détaillée de la souffrance. Les couleurs sombres et terreuses renforcent l'atmosphère de désolation et de tristesse, créant une image saisissante de la Passion du Christ.
Related themes
Matthias Grünewald was a German Renaissance painter, born around 1470 in Würzburg and died in 1528 in Halle. Although few details of his life are known, it is known that he worked mainly in Alsace and Franconia.
Grünewald was a highly respected artist of his time, especially for his religious paintings. He worked closely with the architect Nikolaus Gerhaert from Leyden to decorate the chapel of the hospital of St. Anton in Issenheim in Alsace.
Grünewald's most famous work is the Issenheim Altarpiece, a masterpiece of late Gothic art. This altarpiece was created for the hospital chapel of St. Anton and depicts the crucifixion of Christ with great emotional intensity and great attention to detail.
Grünewald's work is considered an expression of the mystical spirituality of the early Protestant Reformation. His paintings are dark and intense, often reflecting pain and suffering. His use of light and shadow is particularly notable, creating a dramatic effect that influenced many later artists.
Although Grünewald was largely forgotten after his death, his work was rediscovered in the 19th century and has since been considered one of the greatest examples of German Renaissance art.
- Nationality: GERMANY
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary German Artists Artists presented by a gallery