Il Guerriero (2018) Painting by Massimo Giorgi

Acrylic on Canvas, 47.2x78.7 in
$3,296.23
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One of a kind
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Certificate of Authenticity included
Mounted on Other rigid panel
This artwork appears in 10 collections
Scrive la curatrice della mostra Romina Guidelli: “Le opere di Massimo Giorgi portano a galla l’invisibile. In ogni tela, corale o essenziale quando dedicata a un solo ritratto, appare un patchwork di linea 'asciutta' e 'carico' colore guidato da un gesto istintivo ma controllato, che caratterizza figure con corpi spezzati[...]
Scrive la curatrice della mostra Romina Guidelli:
“Le opere di Massimo Giorgi portano a galla l’invisibile. In ogni tela, corale o essenziale quando dedicata a un solo ritratto, appare un patchwork di linea 'asciutta' e 'carico' colore guidato da un gesto istintivo ma controllato, che caratterizza figure con corpi spezzati e occhi sbarrati, o totalmente serrati, assolutamente indipendenti anche quando ritratte in affollata compagnia, dalle espressioni impressionate e lisergiche fino al grottesco (…). I protagonisti delle sue tele sembrano aver assorbito, risucchiato l’aria dei luoghi che abitano, spesso insalubre; la loro immagine porta addosso le molecole di un ossigeno così feroce da influenzarne movimenti e volti fino a renderli prodotto e prosecuzione di un tempo che pare sacrificare l'umano in favore di un'ignota e inarrestabile evoluzione della specie.
Massimo Giorgi dimostra la ferrea volontà di aggredire il tempo per concorrere ad esso: il tempo delle immagini sempre fresche, superate quando ancora acerbe, il cui potenziale appena accennato è soppresso da una nuova invasione/visione. È nostro il tempo delle grandi ‘abbuffate’ mai digerite, delle immagini 'tossiche' fino al punto di volerne sempre altre e sempre nuove. Il racconto di questa voracissima attualità avviene attraverso la genesi di un linguaggio pittorico inizialmente profondamente grafico, capace di trascrivere le velocità del contemporaneo attraverso una rapidità esecutiva che non gli consenta di rimanerne indietro, di partecipare in maniera attiva al presente, per poi decidere quando bloccare il tempo nell'opera e concedersi/concederci una meditazione’.
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Massimo Giorgi Portrait
Massimo Giorgi
Italy
Massimo Giorgi is a contemporary Italian painter. In Giorgi's paintings, gestures, signs, and lines are colored traces. In the figures and backgrounds that interact with one[...]

Massimo Giorgi is a contemporary Italian painter. In Giorgi's paintings, gestures, signs, and lines are colored traces. In the figures and backgrounds that interact with one other, color is a pulsating organism. Multiple emotional feedbacks and conformations coming from graphical conduct in ongoing acts. A painting of sympathetic emotional flows that crystallize in mind, rather than manifest thought, epitaph, portrays its primordiality as closely related to the pure sensory and perceptive. An intellectually open impulsive move that indicates a long processed cultural journey, produced by attentive engagement in the challenges and needs of one's time.

He won numerous awards for his work: III International Prize "Biennial of Engraving City of Monsummano Terme," an occasion in which engravings and lithographs by Giorgio de Chirico and Georges Rouault are exhibited at the Museum of Contemporary and Twentieth-Century Art in the Tuscan town and at the Centre Culturel Le Toboggan in Décines-Charpieu (Lyon-France); XIX edition of the Engraving Prize "Fibrenus - Carnello cArte ad Arte" at the Civic Museum of Sora (2005); I Prize "Art-e-Premio Arti Visive Contemporanea," obtaining the I award for the sculpture/installation section and exhibiting; just to mention few.

Massimo Giorgi was born in 1976, in Frosinone, Italy. He participated in several exhibitions nationally and internationally, in France and Poland.


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