After neglecting the potential interactions between painting and
photography for too long, the arrival of digital technology has opened up interesting avenues of research into the various technical processes involved. I now strive to combine my two passions, while meticulously ensuring that neither is distorted in relation to the other.
The boundary is subtle, and I struggle throughout my images not to cross it. Isn't photography the legacy of painting, since the rules of composition and color, among other things, are the same? This is why I ensure that my still lifes flirt with the materiality of the medium, imbuing it with a pictorial quality. It is important to me that photography breaks free from the constraints of a purely mechanical and chemical process, and that it
becomes a fully-fledged artistic creation, deliberate and controlled, both in its artistic construction and its technical execution.