18 artworks by Malu Ribeiro (Selection)
Download as PDFLife of Sand, People of Clay (Magical Realism) • 18 artworks
Vida de Areia, Gente de Barro (barro refers to mud but also to clay/ceramics) - I like to write the[...]
Vida de Areia, Gente de Barro (barro refers to mud but also to clay/ceramics) - I like to write the words in Portuguese too, because the words are so sonorous. In my double life as single person and mother, between Brooklyn and O Porto, and so many other things of life that bring duplicity, this album puts together works spanning decades but all connected in theme and earthy colors or materials. This gallery expresses a contrast, a dichotomy, not dissimilar to my double life. The dichotomy of the ephemeral quality of life, and how simultaneously, time seems to come to a halt, or at least, come to a slow unravelling in the lull of an afternoon or dusk, the stupor of heat or alcoholism, etc ... My narratives involve characters who become "salt sculptures', or clay pots, frozen in time, while most things around them are shifting, perceptually or moving ... So we've both the instability or temporality of the environment in contrast to the perennial, almost eternal quality of quintessential characters which seem to emerge from the past, which I still observe alive and living in the paths of my travels. The landscapes become movements or ruins, but the people become clay pots or still-life/s.
I'm attempting to describe the ephemeral while holding on to moments which perhaps never quite existed ... a nostalgia for a time that never was ... as the Portuguese saying goes, "the past never passes", the past lives in the present, and therefore, future ... a narrative of people who have little material comfort or wealth, but maintain a dignified presence, more alive than most, because they're in the now, and now ... My spaces may be made of water or slippery sand, shifting perspectives, but my people are made of clay or rusty metal, like pots, they're vessels of history, of time, of human experience ... Cubism and distortions assist me in incorporating such elements of existentialism, it's a if they help me create a form of magical realism in visual form ...
I'm attempting to describe the ephemeral while holding on to moments which perhaps never quite existed ... a nostalgia for a time that never was ... as the Portuguese saying goes, "the past never passes", the past lives in the present, and therefore, future ... a narrative of people who have little material comfort or wealth, but maintain a dignified presence, more alive than most, because they're in the now, and now ... My spaces may be made of water or slippery sand, shifting perspectives, but my people are made of clay or rusty metal, like pots, they're vessels of history, of time, of human experience ... Cubism and distortions assist me in incorporating such elements of existentialism, it's a if they help me create a form of magical realism in visual form ...
"ARCADIAN FOREST"
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"OBIDOS"
Acrylic on Canvas | 42x32 in
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"The Pig of Campanha / O Porco de Campanha"
Acrylic on Canvas | 34x32 in
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"Once upon a Time"
Acrylic on Canvas | 24x24 in
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"On the Way to the Village (Peasant Woman)"
Oil on Canvas | 30x30 in
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"TIMES"
Acrylic on Canvas | 48x42 in
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"RAIN on CAIS DAS PEDRAS"
Acrylic on Canvas | 30x40 in
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"ROSTRO BOLIVIA"
Acrylic on Canvas | 42x44 in
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"O Pranto e a Alegria/ Sorrow and Gaiety"
Acrylic on Canvas | 24x20 in
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"Adeus no Cais (Goodbye on the Pier)"
Acrylic on Wood | 16x20 in
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"O MOSTEIRO AZUL (The Blue Monastery)"
Acrylic on Paper | 30x22 in
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"Women of Nazaré/ Mulheres de Nazaré"
Acrylic on Canvas | 36x36 in
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"Nazaré"
Acrylic on Linen Canvas | 31x51 in
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"Falling"
Oil on Canvas | 60x42 in
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"Arches - Arcos"
Acrylic on Canvas | 40x32 in
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"Life of Sand, House of Clay"
Acrylic on Canvas | 30x40 in
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"Arches of Time / Arcos do Tempo"
Acrylic on Linen Canvas | 31x27 in
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"Mexican Village"
Oil on Canvas | 20x20 in
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