Old Moroccan Street (2019) 미술작품 L'Orientaliste 로
-
원작 (One Of A Kind)
미술작품,
캔버스의
아크릴
- 치수 높이 12in, 폭 16in
- 프레이밍 이 작품은 액자가 없습니다
- 카테고리 회화 {가격} 이하 동양 미술
L'ambiance de la peinture dépeint une vieille rue marocaine typique, formée de bâtiments marocains traditionnels de couleur saumon avec une série de boutiques, de commerçants du marché et de locaux passant en costume traditionnel. Près des magasins, deux habitants se tiennent près d'une vieille fontaine d'eau avec des cruches. À gauche de la scène se trouve une entrée voûtée menant à une mosquée.
Surplombant les bâtiments de couleur saumon est une mosquée, avec un beau ciel bleu avec des nuages duveteux roses et des palmiers au loin et au premier plan de la scène.
The mood of the painting depicts a typical old colourful Moroccan street, formed of traditional Moroccan salmon coloured buildings with a series of shops, market traders and locals passing by in traditional costume. By the shops there are two locals standing by an old water fountain with water jugs. To the left of the scene is an arched entrance leading to a mosque.
Towering over the salmon coloured buildings is a mosque, above a beautiful blue sky dappled in pink fluffy clouds and palm trees in the distance and foreground of the scene.
The painting is one of a kind measures 12 x 16 inches painted acrylic and knife over stretched canvas.
The original is sold to a client within the UK 2020
관련 테마
Artist: Rozlynn M Lawrence-Manasfi
Genre: MENA Orientalist
Middle East and North African "MENA" artist, whose works predominantly represent orientalist era in the arts of ancient Middle East, North Africa, Egypt and Turkey, depicting scenes of Arabian pictorial history in landscape and figurative style.
Fantasy of the Orient
Her paintings are a romantic fantasy of the Orient, populated with exotic rich sensual and colourful scenes of worlds beyond Europe, illustrating rug sellers, dancers, harems, turbaned men in luscious velvet cloaks, the alluring odalisques, women in luxurious clothing, jewelled slippers, silks and velvet gowns with beautiful beaded embellishment, dusty bazaars, souks, snake charmers, with traders in the bustling Arabic markets, selling their wares of beautiful orient trinkets, hookah, lush decorative fabrics, beautiful textiles in vibrant glowing shimmering colours of red, green, gold, blue, yellow and pink, lavish tapestry, beautiful Arabesque tiles, mosques and architecture to the golden sands of the hot desert and palm trees, an oasis set in a mysterious far away land.
About the Artist
English autodidactic painter, born in London, grew up in the 1960's Shoreditch, London.
Her artistic influence expanded and blossomed with the introduction of Orientalism in art in the early 1980's. Beautifully vibrant and lush, she populated a series of Middle East, Orientalist scenes in Watercolour by famous artists Giulio Rosati and Antonio Gargiullo.
By the late 1980's she developed her own style, painting more in oils extending her skills to commissioned work for friends, painting their favourite subjects. In the 1990's a window opened to assist at a local community Sunday art club at Napier Grove N1, run by artists for the local community, thus proving opportunity to interact with other artists an opportunity to network, show and exhibit her works at the club, with encouragement to show and sell her paintings to a wider audience.
Exhibitions and Selling
In the past a handful of paintings were shown in the gallery space at the Lion and Lamb, Hoxton, she exhibited a painting in the London Mall Gallery in the 1980's, but rarely participate in exhibitions, painting being secondary to her main professional career, nevertheless the Artist has successfully sold most of her works, as demonstrated by the steady sales of her paintings in the UK and Europe to private clients and galleries.
A collection of her paintings can be viewed at her portfolio on the Artmajeur Gallery website. Details about the Artist are documented on Wikipedia.
Some much earlier paintings bear the FAR branding with FAR tags. These were documented on the Fine Art Registry (FAR) until FAR abandoned hundreds of artists without warning, the site went down in 2012 with no recovery of digital images. Fortunately, most digital images were curated on the Artmajeur platform.
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