The Lost Hymn of Demeter (2009) Drawing by Kerry O. Furlani

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Often my starting point is a compulsion to portray and release the tensions and layers of my emotional world. Natural and geometric forms are the visual language I use to access these emotional narratives; delight and darkness and my experience as a woman are often prevailing themes. Honing into a narrative or title can help me tighten, strengthen,[...]
Often my starting point is a compulsion to portray and release the tensions and layers of my emotional world. Natural and geometric forms are the visual language I use to access these emotional narratives; delight and darkness and my experience as a woman are often prevailing themes. Honing into a narrative or title can help me tighten, strengthen, and finalize the work.

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GoddessWomenMarriage

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I get immense pleasure from the physicality and the lovely dusty mess of black charcoal in my hands moving across large paper. I begin each drawing with an empty mind - no conscious themes or titles. During[...]

I get immense pleasure from the physicality and the lovely dusty mess of black charcoal in my hands moving across large paper. I begin each drawing with an empty mind - no conscious themes or titles. During the process, I systematically rotate the paper and make marks. After each rotation and then mark-making, I walk back from the work to study the development and see it as a whole. I am looking first for major forms; later I will add the minor forms. The ghost lines record my search for meaning. I am looking for relationships and tensions and gorgeous shapes in the interplay of forms. 

My hope in this wilderness practice is to experience not knowing and the element of surprise; authenticity and beauty. Any conclusive form or theme that arrives early is abandoned. This ruthless self-imposed rule is central to the satisfaction and enjoyment I receive from these drawings. The title often comes to me after the major forms are in place. This title may help to tighten and finalize the work. 

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