SCF Sighting #1 (2023) Digitale Kunst von Ken Grzesik

Kunstdruckpapier, 8x11 in
  • Diese Arbeit ist eine "Open Edition" Digitale Kunst, Giclée / Digitaldruck
  • Masse Verschiedene Grössen erhältlich
  • Mehrere Möglichkeiten (Kunstdruckpapier, Drucke auf Metall, Leinwand)
  • Rahmen Rahmung zur Verfügung (Schwebender Rahmen verglast, Rahmen mit Acrylglas)
  • Zustand des Kunstwerks Das Kunstwerk ist in einwandfreiem Zustand
  • Kategorien Illustration Science-Fiction
The Real SCF Story is a product of the imagination. Rest assured there are no. super colossal flowers zooming around. What if there were? How would people react? Those burning questions are addressed in words and imagery. As the story opens a black swan event of giant tulips emerging suddenly has scientist baffled. Meanwhile, each news media outlet [...]
The Real SCF Story is a product of the imagination. Rest assured there are no
super colossal flowers zooming around. What if there were? How would people react? Those burning questions are addressed in words and imagery. As the story opens a black swan event of giant tulips emerging suddenly has scientist baffled. Meanwhile, each news media outlet reports it from the perspective of it's own ideological bias.

Verwandte Themen

FantasyNarrativeStoryFlowersWhisical

Automatisch übersetzt
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Degrees:. B.F.A., Northern Illinois University, DeKalb, 1974. M.A., Northern Illinois University, DeKalb, 1977. C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic [...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic Achievement


I think it's possible that beauty can save the world. Then will come a time when civility, reason and respect will replace fear, loathing and mad dog greed. Art will be life and life will be art. That's where I come in. I'm an artist. I promote beauty and creativity with an open mind and a love of nature. My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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