"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1054 px | ||
|
1500 px |
| Dimensions of the file (px) | 1054x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Pigments
/
Oil
/
Tempera
/
Wax
/
Sand
/
Stone
on Canvas
- Dimensions Height 55.1in, Width 39.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract Religion
Dieses Kunstwerk gehört zur Kategorie der Material- oder Strukturbilder. Sie haben alle eine Struktur, in diesem Fall aus Marmormehl als Grundlage. Darauf befinden sich diverse Schichten von Farben, in diesem Fall aus Pigmenten, selbst angerührte Kasein-, Tempera- und Ölfarbe, die mit Wachs angereichert ist. In diesem Fall sind auch Pergamon Schichten mit Tusche Teil des Aufbaus, worauf die Handschrift von Teresa zu sehen ist.
Wie auch die anderen Bilder dieser Kategorie ist es eine Form von Prozessmalerei, die aus dem Unterbewusstsein kommt und dem Betrachter viele verschiedene Interpretationen ermöglicht. Allerdings geschah das diesmal in Kombination mit der Beschäftigung der Biografie einer Heiligen. Auf meiner Webseite findet man die dazugehörigen Vorstellungstexte, die uns diese Heiligen näher bringen.
Dreisprachige Beschreibung mit Details zur Technik:
Teresa de Avila (1515 – 1582), Marmormehlstruktur + Tempera + Öl + Wachs auf Keilrahmen, 100 x 140 cm * Marble Dust Texture + Tempera + Oil + Wax on canvas, 40 x 55 in * Pudre de marbre texture + tempera + huile + cire sur toile, 100 x 140 cm © 2022 by Jutta Blühberger www.juttabluehberger.at
Related themes
Jutta Blühberger is an artist, cultural anthropologist, author and translator from Vienna. After many years abroad, she lives in the province of Salzburg.
Already in her youth, there were signs of her artistic talent. But only after a long hiatus, she began to work artistically again in 1998. In the first years, she mostly painted watercolor paintings. Since then she has constantly developed her artistic skills and forms of expression. Her studies at the Leonardo Art Academy in Salzburg and the Art Academy in Kolbermoor contributed to it.
Her artistic focus is painting with pigments and wax medium. This relatively unknown but ancient technique is called cold wax painting. This was recently complemented with textures from marble dust. Her colorful paintings with remarkable color harmony are splashes of color that light up every room and do the soul good. Spiritual themes in her paintings and blog entries give you food for thought. Her works are part of private collections on several continents.
Fine Art beween Beauty and Brokenness
On the one hand, there is the human longing for perfect beauty; and on the other hand, there is a beauty that is expressed precisely in imperfection and in our human brokenness. This is a tension that has preoccupied me for a long time and fascinates me beyond comprehension.
And this ( seeming ) contradiction is therefore also reflected in my textured paintings: the fractures that arise in the marble dust structure without my intervention and which I cannot influence, are for me an expression of human imperfection and limitation. In addition, the harmonious color glazes and color gradients, which for me – they too, despite all imperfection – express beauty and perfection.
So it is only in recent years that I have learned to appreciate the beauty of imperfection. Possibly this has taken place at the same time as my discovery of process painting, because the one makes the other possible: in process painting I have to get used to results which do not correspond to my common idea of perfection and beauty.
Longing for Transcendence
Even those who do not come from a perfectionist background like me know this longing for genuine perfection. This longing is in all of us, because we are obviously all looking for something that transcends our human limitations. Some speak of salvation or eternity. Others call it enlightenment or nirvana. Some talk of heaven on earth. Others rave about the experience of the supernatural or the intrusion of the divine into everyday life.
All this can probably be summed up by the term transcendence.
Transcendence is also a recurring theme in my paintings. Because my artworks live from and out of the tension between imperfection and the longing for perfect beauty and transcendence.
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Nationality:
AUSTRIA
- Date of birth : 1959
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Austrian Artists
