Onyx (2017) Sculpture by Julee Latimer

Mosaic, 35.4x17.7 in
$2,022.95
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
  • Original Artwork (One Of A Kind) Sculpture, Mosaic / Cement / Glass / Wire on Other substrate
  • Dimensions Height 35.4in, Width 17.7in / 5.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Conceptual Art Abstract
Striking black is offset with opulent orange and mouth-watering hot pink on an elegant hand-made wall sculpture covered a variety of different kinds of glass and golden mirror. An undulating, unusual work thats shape was inspired by a scrunched piece of paper. An ancient and enduring art form now pays homage to a throwaway society. Onyx was originally [...]
Striking black is offset with opulent orange and mouth-watering hot pink on an elegant hand-made wall sculpture covered a variety of different kinds of glass and golden mirror.
An undulating, unusual work thats shape was inspired by a scrunched piece of paper. An ancient and enduring art form now pays homage to a throwaway society.

Onyx was originally part of my Discarded Collection which explored transience through permanence. It is featured in my book ‘Sculptural Secrets for Mosaic’. A signed copy of the book will be included with the Certificate of Authenticity and details of NRAA registration (National Registry of Australian Artists).
Onyx has a hook on the back for immediate hanging.
It is signed and dated on the reverse.

Related themes

OnyxJulee LatimerGlossy BlackOpulent OrangeVibrant Hot Pink

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Australia based UK artist Julee spent years relocating internationally many times. Continually breaking ties and beginning again inspires her technique of deconstruction and reinvention of paint as a material. [...]

Australia based UK artist Julee spent years relocating internationally many times. Continually breaking ties and beginning again inspires her technique of deconstruction and reinvention of paint as a material.

Thoughts that paint could be capable of independent existence from the canvas resulted in her process of painting on plastic to enable subsequent removal when dry. Julee exploits the inherent flexibility to explore her interests in textile, collage, and sculptural techniques.

Intricately detailed works are the result of many hours of meticulous cutting, layering and gluing. Ultimately, Julee’s core aim is to generate conversation about the nature of painting and to challenge expectations of what a painting can be.

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