Oxytocin (2021) Painting by Johan K.

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Il lui disait : « Vois-tu, si tous deux nous pouvions, L'âme pleine de foi, le coeur plein de rayons, Ivres de douce extase et de mélancolie, Rompre les mille noeuds dont la ville nous lie ; Si nous pouvions quitter ce Paris triste et fou, Nous fuirions ; nous irions quelque part, n'importe où, Chercher[...]
Il lui disait : « Vois-tu, si tous deux nous pouvions,
L'âme pleine de foi, le coeur plein de rayons,
Ivres de douce extase et de mélancolie,
Rompre les mille noeuds dont la ville nous lie ;
Si nous pouvions quitter ce Paris triste et fou,
Nous fuirions ; nous irions quelque part, n'importe où,
Chercher loin des vains bruits, loin des haines jalouses,
Un coin où nous aurions des arbres, des pelouses ;
Une maison petite avec des fleurs, un peu
De solitude, un peu de silence, un ciel bleu,
La chanson d'un oiseau qui sur le toit se pose,
De l'ombre ; — et quel besoin avons-nous d'autre chose ? »

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A journey through matter Abstraction and expressionism were the two leitmotivs of a journey of more than twenty years. It all starts with an idea that germinates, to become a pregnant[...]

A journey through matter
Abstraction and expressionism were the two leitmotivs of a journey of more than twenty years. It all starts with an idea that germinates, to become a pregnant obsession. The moment of the canvas arrives, a jubilant catharsis of a plunge into matter.
Permanent search for form, as well as substance, through study and reflection.

An almost philosophical sensitivity over the periods and years, letting the painting express itself.

There was Johan, then Joh, then Dijoh'ca and finally a simple K. at the bottom of the webs
Son of artists, having lived in a family where art was the engine, the axis, see the family heart, in the writing by his father, and his mother, the graphic and plastic arts.

Refusing to touch any artistic medium, out of mistrust, not wanting to be found where everyone wanted to see it.

Then there was the suffering of separation, a need to express it: the canvas, the colors and the material were obvious.

The technique, and the choices,

First come the shapes and the material, then the colors emerge, and the structure begins to want to find its place.
The work is done with various techniques, marriage of materials and chemical reactions between them: Acrylic, Oil, Vinyl, Cold enamel, Tempera, pigments, metal ...
The action takes consistency with knives, splatters, sponges.

The influences are multiple,

There is Pollock, of course, for the relaxed or controlled gesture, the exploration of interiority with Kandinsky, the relationship of shapes and colors like so many "chords", comparable to music with Rothko. A large part of Informal Art and Tachism.

There is also the contemporary school of Castres, with DiBeggio, a natural father discovered late.

See more from Johan K.

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