20 artworks by Jo Moore (Selection)
Download as PDFOriginal Hand-printed Serigraphs • 20 artworks
Original Hand-printed Serigraphs hand-pulled by the artist. My passion for original printmaking began[...]
Original Hand-printed Serigraphs hand-pulled by the artist. My passion for original printmaking began 30 years ago.
SERIGRAPHY is the earliest recorded original fine art printmaking technique. It has its roots in ancient
China (AD 221-618) where early serigraphers bridged intricate tissue-paper design stencils with human
hairs to illustrate the teachings of Buddha. It is termed an "original" printmaking technique because the original image is actually done on the screen and each impression is hand-pulled individually by the artist (or master printer) and belongs to a signed and numbered limited edition. Each serigraph is an original. And each serigraph is unique retaining its own specific character as inks blend in their own particular way. The technique involves pulling inks across a series of fabric stencils which have been prepared with aqueous or non-aqueous resists to enable portions of the image to emerge. As with any of the other major original printmaking techniques --- etching, lithography, wood-cuts --- a separate pull is required for each color deposit. Each of my serigraphs is hand-pulled by the artist onto archival, acid free rag paper and signed, titled and numbered on the front.
SERIGRAPHY is the earliest recorded original fine art printmaking technique. It has its roots in ancient
China (AD 221-618) where early serigraphers bridged intricate tissue-paper design stencils with human
hairs to illustrate the teachings of Buddha. It is termed an "original" printmaking technique because the original image is actually done on the screen and each impression is hand-pulled individually by the artist (or master printer) and belongs to a signed and numbered limited edition. Each serigraph is an original. And each serigraph is unique retaining its own specific character as inks blend in their own particular way. The technique involves pulling inks across a series of fabric stencils which have been prepared with aqueous or non-aqueous resists to enable portions of the image to emerge. As with any of the other major original printmaking techniques --- etching, lithography, wood-cuts --- a separate pull is required for each color deposit. Each of my serigraphs is hand-pulled by the artist onto archival, acid free rag paper and signed, titled and numbered on the front.
"Sandia Silence"
$150
"Living Fossil"
Printmaking on Paper | 0.1x10 in
$90
"Indian Paintbrush"
Printmaking on Paper | 0.1x7.5 in
$90
"Bosque del Apache I"
Printmaking on Paper | 0.1x22 in
$150
"ANASAZI: Grandmothers"
Printmaking on Paper | 0.1x22 in
$150
"Nambe Mission"
Printmaking on Paper | 0.1x7.5 in
$90
"Prickly Pears"
Printmaking on Paper | 0.1x10 in
$90
"Catnipped: Bengal Tiger"
Printmaking on Paper | 0.1x11 in
$100
"Badlands"
Printmaking on Paper | 0.1x22 in
$150
"Hunting Partners"
Printmaking on Paper | 0.1x22 in
$150
"Mission Church at Taos, NM"
Printmaking on Paper | 0.1x7.5 in
$90
"Columbine"
Printmaking on Paper | 0.1x11 in
$90
"Silver Gato"
Printmaking on Paper | 0.1x11 in
$100
"Camel Rock"
Printmaking on Paper | 0.1x22 in
$150
"Fajada Butte"
Printmaking on Paper | 10x0.1 in
$150
"O Holy Night"
Printmaking on Paper | 0.1x11 in
$110
"Blue Corn"
Printmaking on Paper | 5x0.1 in
$90
"Bosque del Apache II"
Printmaking on Paper | 0.1x22 in
$150
"Window Rock"
Printmaking on Paper | 0.1x30 in
$150
"Chimney Rock---Lunar Standstill Hand-pulled Serigraph"
Printmaking on Paper | 10x0.1 in
$150
Contact Jo Moore
Send a private message to Jo Moore