BARBARA (2022) 미술작품 Jilda 로

Artiste affichiste, Jilda est né en Bretagne sur la Côte de Granit Rose. Il vit et travaille à Nantes. Il compose, décompose, colle et décolle des affiches collectées lors de ses errances quotidiennes et de ses voyages à l’étranger. Il poursuit ainsi les recherches des nouveaux réalistes affichistes des années 50 et 60.  Il traverse les villes d’ici et d’ailleurs en quête de nouvelles affiches stratifiées, abîmées, patinées par les intempéries et le temps qui passe. Inlassablement, il saisit ses “impressions” de la rue puis il nous les restitue dans ses œuvres.Il sélectionne les morceaux d’affiche puis à l’aide d’une lame, il les fragmente et les lacère afin de les collecter. De retour dans son atelier, il éventre les réclames et sépare les strates de papier obtenant sa matière et lui permettant de composer sa palette de couleurs urbaines.Avec ces fragments et ces lacérations de papier cueillies dans l’espace urbain, il retranscrit à travers ses tableaux sa vision de la rue comme pour mémoriser la vie urbaine d’aujourd’hui. Le visage, élément figuratif qu’il ajoute au pochoir ou par ses photographies est le point central sur lequel s’appuie la composition de son œuvre. En jouant sur les découvertes fortuites des différentes strates des papiers publicitaires, les visages rencontrent des slogans, des typographies et les signes omniprésents.

As a master of the art of affichism, Jilda was born in Brittany, amidst the rosy hues of the Pink Granite Coast. He currently resides and creates his masterpieces in the city of Nantes. His artistic process involves a constant exploration of the medium, as he composes, decomposes, pastes, and peels posters collected during his daily meanderings and travels abroad. In so doing, he continues to carry forward the legacy of the new realist poster artists of the 1950s and 1960s.With a tireless spirit, Jilda traverses cities both near and far, seeking out new and layered posters, weathered by the elements and the passage of time. These impressions of the streets are then meticulously captured, and subsequently rendered in his works. He meticulously selects his materials, fragmenting and tearing them with a blade to collect them for further use. In his studio, he meticulously dissects the advertisements, separating the layers of paper to obtain his material, and thus crafting his urban color palette.With these fragments and tears of paper plucked from the urban landscape, Jilda transcribes his vision of the street, as if to memorialize the urban life of today. The human face, a figurative element that he adds with a stencil or his photographs, serves as the central focus of the composition in his work. Through the manipulation of the fortuitous discoveries of the different layers of advertising paper, the faces encountered the slogans, typography and the omnipresent signs, creating a visual narrative that is both rich and evocative.

• 국적: 프랑스
• 생년월일 : 알 수 없는 날짜
• 예술적 영역:
• 여러 떼: 현대 프랑스 예술가