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Nature morte numéro 16 cinquante-six (2024) Photography by Jean Turco
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Limited Edition (#10/25)
Photography,
Digital Photography
on Paper
- Dimensions Height 39.4in, Width 39.4in
- Framing This artwork is not framed
- Categories Photographs under $1,000
Il se dit, rarement il faut l'admettre, car l'auteur est moins connu qu'Eusope ou Jean de la Fontaine, qu'Ivan Andreevič Krylov aurait écrit une fable dans laquelle un œuf allait, au final, être mis à mal par la fréquentation d'un crayon à papier, une mine de plomb en l'occurrence, usée pour critiquer, avec élégance et sans que cela apparaisse trop franchement, la façon dont était traité par l'administration russe, avec une incompétence estimée coupable, le sort les militaires de l'armée du Tzar alentour les années dix-sept cent cinquante ou soixante.
J'ai vainement cherché sur internet, où l'on trouve généralement tout, la trace de cette fable et j'ai fini par me perdre dans bien d'autres de ces dernières, sympathiques, dont Le Cygne, l'Écrevisse et le Brochet, toujours d'actualité, que l'Yvan avait écrits avec bon et juste sens et un indéniable talent.
Ce ne sont donc pas ses mots, parfaitement choisis et assemblés, qui accompagnent cette image que j'ai aimée faire pour illustrer une situation qui me préoccupe.
Et je le regrette.
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Si dice, raramente bisogna ammetterlo, perché l'autore è meno conosciuto di Eusopo o Jean de la Fontaine, che Ivan Andreevič Krylov avrebbe scritto una favola in cui un uovo, alla fine, sarebbe stato messo a repentaglio dalla frequentazione di una matita, una "mine de plomb" in questo caso, per criticare, con eleganza e senza che ciò appaia troppo francamente, il modo in cui veniva trattata dall'amministrazione russa, con un'incompetenza ritenuta colpevole, la sorte dei militari dell'esercito dello Tzar intorno agli anni diciassette cinquanta o sessanta.
Ho cercato invano su internet, dove di solito si trova tutto, la traccia di questa favola e ho finito per perdermi in molte di queste ultime, simpatiche, tra cui Il cigno, il gambero e il luccio, sempre di attualità, che lo Yvan aveva scritto con buon senso e un innegabile talento.
Non sono dunque le sue parole, perfettamente scelte e messe insieme, ad accompagnare questa immagine che ho amato fare per illustrare una situazione che mi preoccupa.
E me ne pento.
Jean Turco is a professional photographer. He started with high mountain photography, then, very quickly, he engaged in exclusively artistic photography.
The themes of the nude, the portrait and the still life are the subjects he favors. His work is distinguished by an original and visionary lighting that singularly differentiates him from other photographers.
Jean Turco was born in the Alps, he spent his adolescence in Chamonix, at the foot of Mont Blanc. He graduated in photography and art history. His photographs, present in the collections of several museums, Lenin in Oulianovsk in Russia, National of the Republic of Kazakhstan in Astana, Nicéphore-Niépce in Chalon-sur-Saône, etc. as in many private collections have been repeatedly honored with prizes and medals.
Author of books on photography, he has published:
At Pearson editions: The nude photo, The art of lighting, The nude, The portrait, The still life, The pose guide.
Punto Marte editions MV: Nu.
Dunod editions: 100 photo lighting plans.
Published by China Photographic Publishing House: Chinese version of The Art of Lighting.
- Nationality: FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists