Lampe ressort II (2020) Design by Jean-Marc Gardeux

Original

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Original Artwork Design, Luminaire

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 9.1in, Width 4.3in
Artwork's condition The artwork is in very good condition
Categories Designs under $500 Outsider Art Industry

Mes lampes ont élaborées à partir d'éléments de récupération, industriels ou domestiques. Chaque pièce est unique, et personnalisable. de filles variations peuvent être remarquées, en fonction des essences ou de formes de bois utilisées pour la fabrication des socles, ou de l'habillage final (papier Crystal ou papier japonais). Acier inoxydable Inconel. [...]

Jean-Marc Gardeux

France

Jean-Marc Gardeux is a contemporary French artist whose work is driven by three interdependent questions that shape his artistic approach. First, in a world overwhelmed with visual stimuli, he asks how to create less to achieve more—simplicity to evoke complexity, emptiness to generate fullness. Second, he seeks to invite the viewer to find personal meaning in what is not explicitly stated but only suggested in his work. Third, he explores how deliberate minimalism can convey movement by balancing harmony and disruption.

These questions are central to his artistic process. The first reflects his creative method, the second characterizes the viewer's relationship with his art, and the third ties them together, establishing a dialogue between his experience and that of the audience. Jean-Marc's work is a silent rebellion against excess and visual overload, designed to offer clarity and tranquility. He envisions a world where people slow down and seek meaning in the essential, stripping art to its core to evoke movement, provoke reflection, and bridge the physical with the conceptual.

His art is not about originality for its own sake or conforming to trends. Instead, Jean-Marc carves his own path, creating works that authentically reflect his personal experiences. Viewers often recognize his pieces as distinctly his, even without knowing the artist behind them. As he moves forward, Jean-Marc intends to deepen the radical nature of his approach, always maintaining his creative constraint: to keep it simple, acknowledging that simplicity is a complex endeavor.