Design titled "Lampe ressort I" by Jean-Marc Gardeux, Original Artwork, Luminaire

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Lampe ressort I (2020) Design by Jean-Marc Gardeux

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (12745 reviews)

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879 px
	1500 px

Dimensions of the file (px)	879x1500
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Original Artwork Design, Luminaire

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 7.9in, Width 4.3in
Artwork's condition The artwork is in very good condition
Categories Designs under $500 Outsider Art Urban

Acier inoxydable Inconel. Remerciements RESSORTS MASSELIN, Rouen, Petit Quevilly. About this artwork: Classification, Techniques & Styles. Luminaire. Device primarily used for lighting a place. Outsider Art. Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. [...]

Jean-Marc Gardeux

France

Jean-Marc Gardeux is a contemporary French artist whose work is driven by three interdependent questions that shape his artistic approach. First, in a world overwhelmed with visual stimuli, he asks how to create less to achieve more—simplicity to evoke complexity, emptiness to generate fullness. Second, he seeks to invite the viewer to find personal meaning in what is not explicitly stated but only suggested in his work. Third, he explores how deliberate minimalism can convey movement by balancing harmony and disruption.

These questions are central to his artistic process. The first reflects his creative method, the second characterizes the viewer's relationship with his art, and the third ties them together, establishing a dialogue between his experience and that of the audience. Jean-Marc's work is a silent rebellion against excess and visual overload, designed to offer clarity and tranquility. He envisions a world where people slow down and seek meaning in the essential, stripping art to its core to evoke movement, provoke reflection, and bridge the physical with the conceptual.

His art is not about originality for its own sake or conforming to trends. Instead, Jean-Marc carves his own path, creating works that authentically reflect his personal experiences. Viewers often recognize his pieces as distinctly his, even without knowing the artist behind them. As he moves forward, Jean-Marc intends to deepen the radical nature of his approach, always maintaining his creative constraint: to keep it simple, acknowledging that simplicity is a complex endeavor.