Lampe Crayon petit modele (2024) Design by Jean-Marc Gardeux

Original

Seller Jean-Marc Gardeux

Certificate of Authenticity included

Original Artwork Design, Luminaire

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 10.6in, Width 4.7in
Artwork's condition The artwork is in perfect condition
Categories Designs under $500 Outsider Art Industry

Lampe au design original qui attire immédiatement l’attention par sa forme et sa structure. Elle se compose d’une base cylindrique solide, surmontée d’un corps central entouré d’une spirale noire. Cette spirale enroulée autour de la partie centrale est un ressort, ajoutant une touche industrielle au design.

Le centre de la lampe est une colonne cylindrique translucide, diffusant une lumière douce et chaude, jouant son rôle d'abat jour en papier japonais de haute qualité. Au-dessus, un cône blanc et lisse complète la structure, rappelant la pointe d'un crayon arrondi, ce qui contribue à lui donner un look rétro-futuriste.
Socle gainé de simili cuirrouge Bordeaux sur le dessus, ainsi que sur le disque couvrant le ressort
Les ombres et la lumière projetées par cette lampe créent une atmosphère accueillante et légèrement dramatique, parfait pour un éclairage d’ambiance.
Ressort en acier INCONEL.
Remerciements : Ressorts Masselin, le Petit Quevilly, Normandie, France.

About this artwork: Classification, Techniques & Styles

Luminaire

Device primarily used for lighting a place.

Outsider Art

Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught artists.

Technic Design

Design or styling is a creative activity often with an industrial or commercial vocation, which can be oriented towards social, political, scientific and environmental circles. The conception of design originated around 1925, both in Germany (W. Gropius and the Bauhaus), the United States (Frank Lloyd Wright) and France (Le Corbusier). Design, or industrial design, has imposed itself everywhere, even if it means becoming Latin (Italian "disegno industriale", Spanish "designio industrial").

Related themes

Ressort Design Lampe Luminaire

Jean-Marc Gardeux

France

Jean-Marc Gardeux is a contemporary French artist whose work is driven by three interdependent questions that shape his artistic approach. First, in a world overwhelmed with visual stimuli, he asks how to create less to achieve more—simplicity to evoke complexity, emptiness to generate fullness. Second, he seeks to invite the viewer to find personal meaning in what is not explicitly stated but only suggested in his work. Third, he explores how deliberate minimalism can convey movement by balancing harmony and disruption.

These questions are central to his artistic process. The first reflects his creative method, the second characterizes the viewer's relationship with his art, and the third ties them together, establishing a dialogue between his experience and that of the audience. Jean-Marc's work is a silent rebellion against excess and visual overload, designed to offer clarity and tranquility. He envisions a world where people slow down and seek meaning in the essential, stripping art to its core to evoke movement, provoke reflection, and bridge the physical with the conceptual.

His art is not about originality for its own sake or conforming to trends. Instead, Jean-Marc carves his own path, creating works that authentically reflect his personal experiences. Viewers often recognize his pieces as distinctly his, even without knowing the artist behind them. As he moves forward, Jean-Marc intends to deepen the radical nature of his approach, always maintaining his creative constraint: to keep it simple, acknowledging that simplicity is a complex endeavor.