Ferrari 250 GTO From 1964 - The Wanted Classic Car (2022) Digital Arts by Jan Keteleer
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Hyperrealism Car
In the mid-1960's the Ferrari 250 GTO achieved a high public appeal due to its success in racing tournaments organized by racing car companies in countries like Italy, Britain, and Belgium. This Ferrari 250 GTO achieved its first victory in the prestigious Le Mans race in France. The next major milestone for the Italian car was at the Daytona International Speedway in Florida, USA. This car won the first of its six attempts at the 24 Hours of Le Mans. It was followed by four more victories at the same event and then qualified for the final competition, the United States Grand Prix event, which it narrowly missed out on by only a few points.
Related themes
From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.
After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).
Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.
JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.
He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).
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Nationality:
BELGIUM
- Date of birth : 1960
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary Belgian Artists
