Ferrari 156 Shark Nose 1961 the racing car that put Italy on (2022) Digital Arts by Jan Keteleer

Fine art paper, 8x10 in
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Hyperrealism Car
With the Ferrari 156 Shark Nose 1961 Enzo Ferrari made his Italian car brand world famous. With its design, the Ferrari 156 was so progressive that it won many victories on the race track. The Ferrari 156 was also so recognizable with its shark nose that it almost immediately got its nickname "Shark Nose". Enzo Ferrari later built many more racing [...]
With the Ferrari 156 Shark Nose 1961 Enzo Ferrari made his Italian car brand world famous. With its design, the Ferrari 156 was so progressive that it won many victories on the race track. The Ferrari 156 was also so recognizable with its shark nose that it almost immediately got its nickname "Shark Nose". Enzo Ferrari later built many more racing cars but this one is his most remarkable. -

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Ferrari 156 Shark Nose 1961 Close Up

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his [...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

See more from Jan Keteleer

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