Legend of a rural yard II (2020) Painting by Ivan Stoyanov

Oil on Canvas, 39.4x59.1 in
$2,946.41
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In this vibrant expression of rural tranquility, I've layered oil with bold, fauvist hues to evoke the lively energy of nature. Shapes intertwine, suggesting growth and the interconnection of life. This painting is a celebration, a visual symphony meant to infuse any space with the spirited essence of the natural world. It's an invitation to pause [...]
In this vibrant expression of rural tranquility, I've layered oil with bold, fauvist hues to evoke the lively energy of nature. Shapes intertwine, suggesting growth and the interconnection of life. This painting is a celebration, a visual symphony meant to infuse any space with the spirited essence of the natural world. It's an invitation to pause and embrace the beauty found in the simplicity of a rustic landscape. The painting is part of the series "Legend of a rural yard", which I painted in the summer of 2020 in my studio in the village of Bolyarsko, Bulgaria. The life-giving connection with nature and the place where I grew up provoked me to rediscover the memories of my childhood, as well as painting in nature. My models in this endeavor were the vegetables that my family and I had grown.

Related themes

Large SizeVibrantLandscapeEnergyNature

Expressionism large size vibrant landscape energy nature pause village memories childhood vegetables
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Ivan Stoyanov Portrait
Ivan Stoyanov
Bulgaria
My name is Ivan Stoyanov and I am a Bulgarian artist, a Master of Sculpture from the National Academy of Arts in Sofia. My work encompasses sculpture, painting, drawing, ceramics and collage. The different materials [...]

 My name is Ivan Stoyanov and I am a Bulgarian artist, a Master of Sculpture from the National Academy of Arts in Sofia. My work encompasses sculpture, painting, drawing, ceramics and collage. The different materials and means of expression that I use allow my ideas to move from one visual and spiritual space to another, becoming a bridge between the material and the metaphysical. Many of my monumental stone sculptures began their life with a conceptual sketch or drawing, and often the drawing is an integral part of the process of integrating objects in space. Also, for many of my drawings or large-format paintings, I use the character of the volumes, shapes and language of my sculpture, which transfer the hardness and suggestion of the stone to the plane of paper or canvas.

 I turned to monumental sculpture because it is an art of open space and has the power to open doors to new forms of communication between man and nature, through the language of art. For me, this language has always contained something sublime and inexplicable. Something that has attracted and touched people for thousands of years. Perhaps because it carries the energy and information of humanity through time. My work is a visual expression of gratitude and I believe that art has the remarkable ability to draw us to something greater, inviting us to go beyond our ordinary existence. It allows us to expand our horizons, challenge our preconceptions and experience the world in a way that is both transcendent and enlightening. My works often express themes such as unity with nature, spirituality and peace. The Peace Prayer Monument, created in Japan for the Osaka World Expo in 2025, is a symbol of hope for world peace. For me, the creative process of working in stone is a unique and mysterious experience. A process of refinement in which the stone sculpts and enriches the subtle matter within me.

 Everything I create bears the imprint of my quest to understand and reveal the spiritual world of things.

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