Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Roussette - Pièce unique (2020) Painting by Isabelle Mathis
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Seller Isabelle Mathis
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 987 px | ||
|
1500 px |
| Dimensions of the file (px) | 987x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Enamel
on Metal
- Dimensions Height 4.3in, Width 7.1in
- Framing This artwork is not framed
- Categories Paintings under $1,000 Figurative Animal
Plein émail sur cuivre
encadrement ardoise, piquets de châtaignier centenaires, isolateur porcelaine
La vache - Poéme
Victor Hugo
Devant la blanche ferme où parfois vers midi
Un vieillard vient s'asseoir sur le seuil attiédi.
Où cent poules gaîment mêlent leurs crêtes rouges,
Où, gardiens du sommeil, les dogues dans leurs bouges
Écoutent les chansons du gardien du réveil,
Du beau coq vernissé qui reluit au soleil.
Une vache était là tout à l'heure arrêtée.
Superbe, énorme, rousse et de blanc tachetée,
Douce comme une biche avec ses jeunes faons,
Elle avait sous le ventre un beau groupe d'enfants.
D'enfants aux dents de marbre, aux cheveux en brous-Frais, et plus charbonnés que de vieilles murailles, [sailles
Qui, bruyants, tous ensemble, à grands cris appelant
D'autres qui, tout petits, se hâtaient en tremblant,
Dérobant sans pitié quelque laitière absente.
Sous leur bouche joyeuse et peut-être blessante
Et sous leurs doigts pressant le lait par mille trous,
Tiraient le pis fécond de la mère au poil roux.
Elle, bonne et puissante et de son trésor pleine,
Sous leurs mains par moments faisant frémir à peine
Son beau flanc plus ombré qu'un flanc de léopard,
Distraite, regardait vaguement quelque part.
Ainsi,
Nature ! abri de toute créature ! Ô mère universelle ! indulgente
Nature !
Ainsi, tous à la fois, mystiques et charnels.
Cherchant l'ombre et le lait sous tes flancs étemels,
Nous sommes là, savants, poètes, pêle-mêle,
Pendus de toutes parts à ta forte mamelle !
Et tandis qu'affamés, avec des cris vainqueurs,
À tes sources sans fin désaltérant nos cœurs.
Pour en faire plus tard notre sang et notre âme,
Nous aspirons à flots ta lumière et ta flamme,
Les feuillages, les monts, les prés verts, le ciel bleu,
Toi, sans te déranger, tu rêves à ton
Dieu !
Related themes
Isabelle Mathis is an artist enameler of art on metals.
The alchemist enameler.
Her enamel workshop is located in Haute Vienne ( Limousin) in Saint Léger la Montagne on the site of a former Templar mill. She exhibits her latest works there and practices all the ancestral methods of enamel: painted enamel, champlevé, cloisonné, grisaille with Limoges white, brasswork and copper work. It also organizes enamel training in the form of an internship or workshop.
After basic initial training at the art school in Limoges, the city of fire arts. Isabelle enriched her initiatory journey by meeting and working with her masters in France and abroad - in Russia in particular -.
Her work is dynamic and varied, the fruit of long apprenticeships and meetings with her masters, watercolorists, ceramists, coppersmiths, renowned enamellers. His work is also instinctive. Drawing, painting, sculpture and enamel are all vectors allowing her to express her emotions, her moods.
She participated and won an award at the last Biennale of art enamels on metals from Saint Petersburg “Mirror of the world”, in May 2017. His enamel presented on this occasion, “Expedition 50 from the earth for the earth” was inspired by the photographs of Thomas Pesquet taken from the international space station. This work joined the collection of the Stieglitz Museum of Applied Arts in Saint Petersburg. She is still exhibited there.
In addition, this trip allowed her to interact with renowned Russian artists as part of MasterClass. Since this experience, she works without prior drawing with much more spontaneity. Using this technique, Ella produced around twenty works constituting her “sacred enamel” series.
Throughout November 2017 she is exhibiting in Italy at the Museo Nacional de Artes del Fuego “Villa Vertua de Nova Milanes ( province of Milan).
In February 2018 her works are exhibited for a personal exhibition at the Galerie Cinq in Limoges and she is preparing another exhibition at the Ligugé Abbey in the heart of the Enamel Museum which is full of inspired pieces by great artists such as Chagall, Braque…
From April to August 2018 one of these works occupies a prestigious place in Taiwan in an enamel exhibition of international scope.
Discovering the achievements of Isabelle Mathis means letting yourself be guided by her imagination and her vision of the world. The one who sees, the one who touches the work, becomes its actor. He makes his own interpretation of it and it is an inexhaustible source of renewal for the artist
-
Nationality:
FRANCE
- Date of birth : 1966
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
See more from Isabelle Mathis
