Zebra Skin (Piel de cebra) (2023) Painting by Gustavo Adolfo Díaz Sánchez (El Gus)

Fine art paper, 11x8 in

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  1049 px  

1500 px
Dimensions of the file (px) 1049x1500
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Art image bank
  • Original Artwork (One Of A Kind) Painting, Watercolor / Acrylic on Paper
  • Dimensions Height 16.3in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Abstract Colorful
El descubrimiento del collage abstracto fue una revelación, pues en lugar de seguir esa técnica, mezclé conceptos y desarrollé un nuevo proyecto personal, inspirado también en el arte povera, que simula la superposición de pieles mudadas. El equilibrio de la composición y el juego de los pesos visuales están presentes, pero me centro más en lo fractal [...]
El descubrimiento del collage abstracto fue una revelación, pues en lugar de seguir esa técnica, mezclé conceptos y desarrollé un nuevo proyecto personal, inspirado también en el arte povera, que simula la superposición de pieles mudadas.

El equilibrio de la composición y el juego de los pesos visuales están presentes, pero me centro más en lo fractal que en lo geométrico.

El objetivo de la serie es el ensalzamiento de materiales tan desechables y efímeros como la piel que todos los animales mudamos, seamos o no conscientes de ello.

Related themes

AbstractAbstractoWatercolorAcuarelaAcrylic

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I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20. But my creativity [...]

I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20.
But my creativity continued to emerge through the word, thanks to my two decades as a translator, and by running and creating role-playing games.
I am now an expert in localization and user experience. Great connoisseur of Lovecraftian themes. And I have designed and supervised role-playing games.
Two years ago teleworking gave me the time I needed, so I picked up art where I left it years before and I'm developing my abstract facet guided by the Madrid-based artist from Granada, Araceli García.
My works are enriched by my understanding of the word. As a visual thinker, I capture the abstract impressions that concepts project into my mind. I don't like to repeat myself, so I work on several different projects and experiment with various techniques.
Humanity painted in the caves to, through sympathetic magic, favor the hunt for what it represented. With my works I turn the tables, creating a kind of voodoo dolls with which to ruthlessly correct this spoiled world through "unsympathetic magic".

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