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COP27 Like New Year reception "Greetings" or DIGITAL N°18A (2022) Digital Arts by Grégory Dreyfus
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Original Artwork (One Of A Kind)
Digital Arts,
Digital Painting
/
Photo Montage
/
2D Digital Work
on Paper
- Dimensions Height 55.5in, Width 39.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Digital Arts under $20,000 Expressionism Politics
"Where it's going to?" - From DIGITAL(e) Series
Like abstract New Year's wishes, often as hollow as they are futile and yet full of good attention, COP 27 will not have disappointed this year again, in Sharm el Sheikh, on this level with the representatives of some sorts of the people of the nations.
Philosophically, even if it means shooting in the wind, what is the world that we really want? The one we build, the one we wait for, the one we can leave to our descendants? The one that we will perhaps build or just the same one that we pollute, turf, burn, let rot today?
In fact, we don't care about any of that. After all, which of us are already preparing their funerals, putting their "affairs in order" according to the established formula but are in fact already preparing the future of their children...of their offspring over several generations?
We all forget that we are talking, certainly incidentally about our well-being but truly above all about our planet, this fertile land on which we evolve as best we can, that our fathers left us with our species, our living cells and these elements of life. which therefore belong to this Earth, to our planet, our "Mother Planet" and which today is backed by energy making this ultimately less important paradoxically because transformed by us: air, water, earth, sea, ice, plants, animals, insects... If at least these were not made to disappear, melt, dry up, pollute, degenerate, suffer from our faults, our errors...if at all less...
We talked to each other to do what we say. And Do better every time.
...Rather than showing a dysfunctional family that hurts its mother. All jealous of each other, or feeling... do you get the metaphor? ...with narcissistic wounds as big as the arm.
Still no inter-nation discussions on a global scale on this issue, on this horizon.
"We'll see" - Just mathematical plans and it's the minimum of a plan for an issue of 30 billion planetary damages - I don't even dare to say per year when I feel it per week, personally - on which we can barely invest 300 million per year, oops, maturing over 8-10 years, 30 years?
A plan constituted which sets up for each of the member states, participating or participating, an objective to reach rates already exceeded, which will not be caught up, and which each of the signatory countries, for its part, will choose a path to constrain itself to it , to reach, this new rate already exceeded, ... It seems crazy!
Of our house which was burning and which we did not want to see by looking elsewhere, today however we are making it a game between firefighters to know who and how we are going to put it out or not our fire which is devouring our house, starting with: where?
_ My room, your room, and the hallway, who owns the hallway?
_ In any case, I will turn it off when I have reached the number of buckets sufficient to fetch the water.
_ I'm going to sing for the rain to come...
_ And I am going to build a car factory and extract fossil fuels to create combustion for an engine that will be put in a cylinder with wheels attached around it by a combined armature...
_ Ah, are you going to invent wheels?
_ Yes and then I would go far into the desert to bring some back.
_ Wheels ?
_ No hydrocarbons.
_ But what about the water?
_But whose desert is it?
_ Well we don't care, right?
_ Yeah, wouldn't you like some buckets?
...
We can obviously neither stop the war, nor the crises..., nor time nor willful ignorance, nor the blindness of some in the face of the avoidance of others. Just face the trembling times stuck in our actions, ultimately shared, characterized inactions.
"To govern is to plan - To plan nothing... is to run to ruin." A.Thiers - E.Girardin
This derivative of "COP27 or DIGITAL N°18 - DIGITAL(e) Series" is a special clear version of a very dark but very stuck perspective "on what awaits us". On what really moves us.
GrégoryDreyfus©2022
Photo and painting by GD2017 / DIGIT-Originel2000
Like abstract New Year greetings, often as hollow as they are futile and yet full of good attentions, COP 27 will not have not disappointed this year again, in Sharm el Sheikh, on this level with the representatives of some sorts of the people of the nations.
Philosophically, even if it means pulling in the wind, what is the world we really want? The one we are building, the one we are waiting for, the one we can leave to our descendants? The one we can build or just the same one we pollute, grass, burn, let rot today?
In fact, we don't care about all that. After all Who of us are already preparing their funerals, putting their "business in order" according to the established formula, but in fact already preparing the future of their children... of their offspring over several generations?
We all forget that we are talking, certainly incidentally of course, but really above all of our planet, this fertile land on which we evolve as best we can, that our fathers left us with our species, our cells of the living and these elements among life. Which therefore belong to this Earth, to our planet, our "Mother Planet" and who today endorses energy making this ultimately less important paradoxically because transformed by us: air, water, earth, sea, ice, plants, animals, insects... If at least of these we did not make them disappear, melt, dry up, pollute, degenerate, suffer from our faults, our errors... if at least less...
We talked to Do what we say. And do better every time.
...Rather than showing a dysfunctional family that hurt his mother. All jealous of each other, or feeling... you got the metaphor? ...with narcissistic wounds the size of an arm.
Still no inter-nation discussions on a global scale on this issue, on this horizon.
"We'll see" - Just mathematical plans and it's the minimum of a plan of a stake at 30 billion planetary damage - I don't even dare to say per year when I feel it per week, personally - on which one barely manages to invest 300 million per year, oops, maturing over 8-10 years, 30 years?
A constituted plan which sets up for each of the member states, participants or recipients an objective to achieve rates already exceeded, which will not be caught up, and that each of the signatory countries, for its part, will choose a path to force itself there, to reach, this new rate already exceeded, ... It seems crazy!
Of our house which was burning and which we did not want to see by looking elsewhere, today however we make it a game of firefighters to know who and how we are going to extinguish it or not our fire which devours our house, starting with: where?
_ My room, your room, and the hallway, who owns the hallway?
_ In any case, I would go and put it out when I would have reached the number of buckets sufficient to fetch the water
_ I'm going to sing for the rain to come...
_ And I'm going to build a car factory and extract fossil fuels to create combustion for an engine that we will put in a cylinder with wheels hung around it by a frame combined...
_Ah, are you going to invent wheels?
_ Yes and then I would go far into the desert to bring some back.
_Wheels?
_ No hydrocarbons.
_But and the water?
_ But whose desert is it?
_ Well who cares, right?
_ Yeah say you wouldn't like buckets?
...
We can obviously neither stop war, nor crises..., nor time, nor voluntary ignorance, nor the blindness of some in the face of the avoidance of others. Just to face the times which tremble stuck in our actions made, of inactions finally shared, characterized.
"To govern is to foresee - To foresee nothing... is to run to ruin." A.Thiers - E.Girardin
This derivative of "COP27 or DIGITAL N°18 - DIGITAL(e) Series" is a version clear stage with a very black but very stuck perspective "on what awaits us". On what really tends to us.
GrégoryDreyfus©2022
Photo and painting by GD2017 / DIGIT-Originel2000
Related themes
Cop27 Ou Digital N °18Ce Qui Nous AttendCrisesFaminesInactions
Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.
After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.
Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.
...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.
...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".
Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists