Pintura intitulada "Buttermilk & Silk" por Gray Jacobik, Obras de arte originais, Outro

Buttermilk & Silk Pintura por Gray Jacobik

Vendido

Vendido por Gray Jacobik

Licenciamento digital

Esta imagem está disponível para download com uma licença

Licença da Web

US$ 32,00

Licença de mídia

US$ 129,00

Licença comercial

US$ 269,00

Resolução máxima: 2400 x 2380 px

Baixe imediatamente após a compra

Os artistas recebem seus royalties por cada venda

Vendido por Gray Jacobik

Obras de arte originais Pintura, Outro

Classificação de obras de arte

Obras de arte originais

Obras de arte originais são todas as obras consideradas autênticas e não uma cópia ou imitação das obras originais de um artista. As obras de arte originais podem ser qualquer tipo de pintura, escultura, performance ou outra mídia. Existem muitos tipos de mídia original. A mídia mista inclui tintas a óleo, acrílicas e aquarela. Para pinturas de oficina que testemunham o artesanato, essa atribuição deve ser mais matizada. Embora possam ser menos valiosos por vários motivos, as reproduções e cópias tiveram um grande impacto em nossa experiência. Eles atingem um público mais amplo do que os originais e agem como um tônico contra a mercantilização. A obra original também pode referir-se à primeira obra, que sempre precede todas as outras. Também pode se referir a um protótipo ou modelo a partir do qual outras obras podem ser feitas. Cada trabalho tem grandes semelhanças com o original.
Dimensões Altura 1in, Largura 11,8in
Categorias Pinturas menos de US$ 500 Abstrata

This is a small encaustic painting: painted in highly-pigmented pharmaceutical-grade beeswax that's combined with damar resin. The resin makes the surface impermeable and hard once cooled. That's the other thing about encaustic: one paints hot (175 degrees F). Painting this way allows me to build up layers of colors and to manipulate the surface in such a way that intricate lines and swirls and other eddies of color become possible, in effect, not just mimicking the natural processes, but actually using the same forces (liquid to solid state, thermal and air currents, etc.) nature uses. The images look, I think, like the formations on finds on earth, in rocks, in the sky, in the ocean . . . plus the finished work has the natural luminosity and sheen of beeswax. It is framed in a simple walnut box frame that adds 1-inch to the overall dimensions and that picks up on the warm browns in the work. This particular encaustic painting is on the "warm" side: rich yellows, reds, amber . . . it's intricate and highly detailed. Signed and dated on the back, this painting ships with a digitally-registered Certificate of Authenticity.

Temas relacionados

Encaustic Abstract Painting Yellow Brown Amber Red Yellow Brown Amber Red Wine

Gray Jacobik

Estados Unidos

GRAY JACOBIK AWARDS 2012 The Fire Within, Founder's Award, Essex Art Association, Essex, CT., for "Slow Gold, But Everlasting",[...]

GRAY JACOBIK

AWARDS

2012 The Fire Within, Founder's Award, Essex Art Association, Essex, CT., for "Slow Gold,
But Everlasting", July 2012

2011 All About Water VII, Guest Artist’s Award (first prize), Gallery One at Clayhouse,
Old Saybrook, CT., for “By the Sea, By the Sea,” October 2011.

2006 Four Paintings and Four Poems published in The Connecticut Review (special section on
image), Spring 2007, Vol. XXIX, No. 1.

2005 Essex Art Association for Excellence in Any Medium, Light: A Summer Juried Show,
July 29-August 20, 2005, for “September Meadow.”

INDIVIDUAL SHOWS

Abstracts by Gray Jacobik (9 works), First Niagara Bank, Chester, Connecticut,
November 14, 2012 to January 18, 2013. (“Pardon the Cochineal,” “Come See the Roses
in the Moony Night,” “Sun--if Shone--or Storm--if Shattered,” “Another Sky,” “Sheen
Must Have a Disk to be a Sun,” “Slow Gold, But Everlasting,” “To Continents of Summer
and Firmaments of Sky,” “Argues the Aster Still,” “Neither Fish Nor Fowl” and “To
Entertain a Pearl.”

Landscapes By Gray Jacobik (15 works), Samuel T. Chen Gallery, Central Connecticut
State University, New Britain, Connecticut: An Exhibition as part of the Recharging
the Sensorium Conference, April-May 2007.

The Vanilla Bean Café, Pomfret, Connecticut, month of October (26 paintings).

GROUP SHOWS (JURIED)

The Captivating Cosmos, Pierro Gallery, Baird Center, South Orange, N.J., curated
by Alyssa Dreliszatk & Meaghan O’Conner, “String Theory,” and “Super Nova
Remant,” November 7-December 21, 2013.

Connecticut Women Artists National Open Show, Slater Memorial Museum, Norwich,
CT., selected by Douglas Hyland, Director of the New Britain Museum of American Art,
“The Pace, the Flight, the Amethyst,” August 31-September 27, 32013.

Connecticut Women Artists 2013 Members Juried Exhibition, The West Hartford
Art League Gallery, W. Hartford, CT., selected by Vivian Zoe, “I Never Saw the Sea,”
June 1-21, 2013.

Spring Juried Show, Essex Art Association, Essex, CT., “Blue Roses,” “Silver Strings
& Dotted Dots,” & “Summer Closed Upon Itself,” May 3-26, 2013.

112th Annual Juried Show, New Haven Paint & Clay Club, John Slade Ely House,
New Haven, CT., "I Never Saw the Sea," March 24-April 14, 2013.

69th Annual Connecticut Artists Exhibition, Slater Museum of Art, Norwich Free
Academy, Norwich, CT., selected by Jeffrey & Betsey Cooley, “Sheen Must Have A Disk
to be a Sun” & The Peace, the Flight, the Amethyst,” February 10-March 22, 2013.

99th Annual Juried Exhibition, Allied Artists of America, “A Perfect, Paralyzing Bliss,”
National Arts Club, NYC, November 9-18, 2012.

“A Perfect Paralyzing Bliss,” 65th Annul Juried Exhibition & Sale, Guilford Art League,
Mill Gallery, Guilford, CT, September 14-October 6, 2012. Juror: Julia Pavone, Curator,
Alexey vonSchlippe Gallery...