Unione Europea (Seriously harms health) (2023) Photography by Giuseppe Persia

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Questa fotografia vuole mettere in evidenza lo strapotere dell'Unione Europea, alla quale piace guardare dal buco della serratura e imporre ai alcuni paesi aderenti, dalla cultura antichissima, un'ottusa visione globale secondo la quale dobbiamo essere "tutti uguali" secondo le più cretine ideologie del secolo scorso di stampo nazista[...]
Questa fotografia vuole mettere in evidenza lo strapotere dell'Unione Europea, alla quale piace guardare dal buco della serratura e imporre ai alcuni paesi aderenti, dalla cultura antichissima, un'ottusa visione globale secondo la quale dobbiamo essere "tutti uguali" secondo le più cretine ideologie del secolo scorso di stampo nazista e, purtroppo, seguite da molti pseudointellettuali del pensiero unico, alla faccia della libertà.

This photograph wants to highlight the excessive power of the European Union, which likes to look through the keyhole and impose on some member countries, with a very ancient culture, an obtuse global vision according to which we must be "all the same" according to the stupidest ideologies of the last century of the Nazi mold and, unfortunately followed by many pseudo-intellectuals of single thought, in the face of freedom

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Unione Europea

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Giuseppe Persia has been a photographer for more than 50 years, he started in the early 70s, he was a professional photographer and he worked for publishing. After a few years he left the studio to[...]

Giuseppe Persia has been a photographer for more than 50 years, he started in the early 70s, he was a professional photographer and he worked for publishing. After a few years he left the studio to his collaborators to return to his old profession, advertising.

The "NUS-NOÛS" photographs were born almost by chance by observing a yellow pepper which, from a certain angle, looked like a human body. After overcoming a few obstacles such as light, the development of modified negatives and the use of microscope optics due to the short distance, the Nus Nous project was born, which means body and mind. This project, which began in 2000 and continues with new images, currently consists of approximately 1000 large format negatives (4x5 inches). The project was done in silver gelatin analog photography and is printed on cotton-backed paper with a selenium toner, as required for photographs held in museums. No intervention was made with retouching software, the image is as it is on the negative, once the print obtained some small retouching was done with a brush where there were small empty dots caused by the dust in the emulsion of the negative, no other intervention was made.

Early in the project, when attending art events, he noticed viewers stopping for a long time to admire the photos, often tilting their heads as if to observe the rotating image. Hence the rotating photo, an image mounted on a painter's easel and placed on a support that allows the observer to rotate it. Not everyone, looking at photographs, saw the same thing, the public often saw completely different things in the same image. The image does nothing but explore the most remote areas of our minds by bringing back old memories.

His photographs have been awarded by the Russian state with an exhibition at the Vernadsky Museum of Science and Culture (Kremlin Museum), he has received many important awards, the most recent being the silver A2 Design Awards & Competition 202.

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