Painting titled ""Rubens azzanna Jef…" by Giò Pasta, Original Artwork, Acrylic Mounted on Wood Stretcher frame

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"Rubens azzanna Jeff Koons" (2025) Painting by Giò Pasta

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Rating: 4.9 (12745 reviews)

Original

Acrylic on Canvas, 27.6x39.4 in

$6,008.33

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Seller Giò Pasta

Customer's reviews (13)

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One of a kind

Artwork signed by the artist

Certificate of Authenticity included

Ready to hang

Mounted on Wood Stretcher frame

Original Artwork (One Of A Kind) Painting, Acrylic / Chalk / Graphite / Oil / Pigments on Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 27.6in, Width 39.4in
Artwork's condition The artwork is in perfect condition
Framing This artwork is not framed
Categories Paintings under $20,000 Expressionism World Culture

"Rubens azzanna Jeff Koons". In un museo qualunque, sotto l’occhio vigile di curatori e collezionisti dal portafoglio gonfio, qualcosa di assurdo sta accadendo. Il Dog Balloon di Jeff Koons, gonfio di status e milioni di dollari, se ne sta lì, splendente e compiaciuto, sul suo piedistallo bianco candido. Ma la gloria dura poco: dalle profondità della [...]

"Rubens azzanna Jeff Koons"
In un museo qualunque, sotto l’occhio vigile di curatori e collezionisti dal portafoglio gonfio, qualcosa di assurdo sta accadendo. Il Dog Balloon di Jeff Koons, gonfio di status e milioni di dollari, se ne sta lì, splendente e compiaciuto, sul suo piedistallo bianco candido. Ma la gloria dura poco: dalle profondità della pittura barocca, la tigre di Rubens fa un balzo epico, fauci spalancate, pronta a ridimensionare il suo avversario - letteralmente.
Mentre il pubblico osserva sbigottito, l’arte classica azzanna il contemporaneo, l’eleganza pittorica sfida l’arte da investitori. Il colpo è feroce, il blu del Dog Balloon trema sotto l’attacco, e il povero palloncino, un tempo simbolo di potere artistico e commerciale, viene brutalmente messo in discussione.
Ma attenzione, la scena è ricca di piccoli dettagli sovversivi: segni geometrici verde fluo su fondo rosso invadono lo spazio come una ribellione estetica, e un topolino impertinente rosicchia un angolo di una tela bianca appoggiata al muro, quasi a ricordarci che a volte l’arte è gioco, azione, disturbo.
Questa non è solo una battaglia tra epoche artistiche: è una provocazione visiva, un attacco frontale al mercato dell’arte e ai suoi meccanismi. E tu, spettatore, da che parte stai? Rubens con la sua maestosità? O Koons, col suo genio commerciale? Oppure… con il topolino anarchico?

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Chalk

Drawing made with chalk, a white marine rock that is traditionally white in colour and can sometimes be coloured.

Graphite

Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length.

Oil

Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger.

Pigments

Paint made with colored powder suspended in a liquid binder to obtain some paint or ink.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Giò Pasta

Italy

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.