La Damisela (2023) Digital Arts by Francisco Tabakman (Frankly Tired)

Fine art paper, 11x8 in

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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print on Paper
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Digital Arts under $500 Surrealism Nude
A través de la representación del desnudo en esta obra de arte, se invita al espectador a reflexionar profundamente sobre el proceso de crecimiento personal y la influencia de las figuras paternas en dicho proceso. La imagen retrata a una mujer que aparenta estar atrapada por una compleja red de hilos y entrañas, lo que simboliza de manera metafórica [...]
A través de la representación del desnudo en esta obra de arte, se invita al espectador a reflexionar profundamente sobre el proceso de crecimiento personal y la influencia de las figuras paternas en dicho proceso. La imagen retrata a una mujer que aparenta estar atrapada por una compleja red de hilos y entrañas, lo que simboliza de manera metafórica la influencia ejercida por las figuras paternas en la configuración de nuestra identidad y personalidad. A pesar de la aparente inmovilidad de la protagonista, la obra transmite la idea de que aún conserva la capacidad de liberarse de estas influencias y avanzar hacia la autorrealización.

La representación del desnudo en el arte ha sido una herramienta poderosa a lo largo de la historia para explorar temas de vulnerabilidad, autoaceptación y desarrollo personal. En este contexto, la desnudez de la mujer en la obra se presenta como una representación simbólica de su vulnerabilidad y autenticidad. A través de esta exposición, se invita al espectador a reflexionar sobre su propia vulnerabilidad y cómo enfrenta sus propias inseguridades.

La imagen sugiere que las figuras paternas, personificadas en los hilos y las entrañas que rodean a la mujer, desempeñan un papel fundamental en la construcción de nuestra identidad y en la influencia que ejercen sobre nuestras decisiones y acciones. Estos "hilos" pueden simbolizar las expectativas, los consejos y las presiones que recibimos de nuestras figuras paternas a lo largo de nuestra vida. A menudo, estas influencias pueden parecer restrictivas, como si nos mantuvieran atrapados en un patrón de comportamiento predefinido.

Sin embargo, la imagen también transmite la idea optimista de que, a pesar de la percepción de inmovilidad, aún conservamos el poder de liberarnos y asumir el control de nuestras propias vidas. La mujer representada en la obra demuestra una actitud decidida y valiente al romper los hilos que la rodean, lo que refuerza la noción de que podemos liberarnos de las influencias externas y tomar decisiones conscientes que nos permitan avanzar hacia el crecimiento personal y la autorrealización.

En última instancia, esta obra de arte celebra la capacidad humana para la autorreflexión y el cambio. Nos recuerda que, si bien las figuras paternas pueden ejercer una influencia profunda en nuestra formación, somos seres capaces de tomar decisiones autónomas y moldear nuestro propio destino. La paciencia y el autoaprendizaje se presentan como elementos fundamentales para superar las limitaciones autoimpuestas y alcanzar nuestro verdadero potencial.

Related themes

RepresentaciónDesnudoInfluenciasFiguras PaternasIdentidad

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My work is a critique of the conventional and a challenge to the habitual, going beyond what is commonly displayed in galleries focused on decorative art. Art must transgress, address, and confront the issues [...]

My work is a critique of the conventional and a challenge to the habitual, going beyond what is commonly displayed in galleries focused on decorative art. Art must transgress, address, and confront the issues of our society in order to build a better world; I firmly believe that art should be more than depicting painted houses, pretty vases, and fruit in a bowl.
My pieces reflect violent, cruel, erotic, and even vulgar characters, addressing worlds ignored by the more privileged social classes. They are born from dialogue and friendships with the mentally ill, the hungry, those exiled by dictatorships, and the socially displaced. From this exchange, and in conjunction with my own experiences, images cross and concepts merge, giving rise to surreal and dreamlike illusions filled with horrible, nightmarish situations that give voice, form, and color to these figurative worlds.
I present dark landscapes, industrial and liminal spaces, where surprising, horrible, and occasionally marvelous elements fall incessantly. Nothing is safe or reliable. Just as Francis Bacon studied movement in search of a more cerebral figuration, I also incorporate the cruel aspects of society and the human decay that characterized Francisco de Goya’s work.
My creations act as mirrors, reflecting situations marked by intrusive and enraged thoughts. Through them, I explore horrors, disillusionments, and the desolation of those who, like me, have clashed with a society incapable of understanding the different and the unheard. My purpose goes beyond mere creative exercise; I seek to honor those who have lost the battle against depression, anxiety, and other mental conditions, while also sharing my own struggle.
I strive to imbue my works with a deeper dimension, inviting the viewer to appreciate the neurodivergent and extraterritorial perspective. Through these challenges and reflections, I provoke an introspective analysis of past experiences, connecting with emotions that perhaps have yet to be explored by the audience.
Mine is a technical approach to art, rarely seen in the national scene, if not entirely unprecedented.

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