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BRJ, rotation (2018) Painting by Pascal Fancony
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 953 px | ||
|
1033 px |
| Dimensions of the file (px) | 953x1033 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Limited Edition (#3/5)
Painting,
Lithography
on Paper
- Number of copies available 1
- Dimensions Height 19.7in, Width 19.7in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract
Related themes
DEMARCHE ARTISTIQUE
Je me considère en premier chef comme un coloriste, qui travaille en peinture et en volume.
D’une part, je travaille sur des peintures de « champs colorés » de grands formats, ainsi que sur des « objets singuliers » déclinés à partir de jeux de grammaire des couleurs ; et d’autre part j’élabore des « constructions et structures en 3D » (terme plus juste que sculpture) où je privilégie le bois, ainsi que des « installations » dans l’espace public, dans les rues, avec divers matériaux : rubans de taffetas, calques ou gélatines de couleurs et dispositifs divers de lumière.
Très soucieux du regardeur et du sens des choses, mon souci est de proposer au regard une réelle expérience de « ces couleurs comme jeux de langages ».
Les trois couleurs : bleu, rouge et jaune, sont les principales que j'utilise depuis les années 2000.
Ces couleurs sont déclinées selon 2 attitudes :
- d'une part d'un point de vue physicaliste, proposant des séries de variations et formes de "modulations chromatiques"
- d'autre part, un point de vue plus "métaphysique" qui repose sur une pratique de la peinture de champs colorés d'où émane une lumière intérieure et une énergie, proposant au regard une expérience transcendantale bien plus contemplative.
BIOGRAPHIE
Pascal Fancony vit à Collias près d'Uzès (30). Il est ou a été :
-Peintre, plasticien de l’espace et de la couleur -Conférencier et Théoricien de l’art du XXème siècle -Professeur émérite dans les Écoles d’Art et d’Architecture (Perpignan, Avignon, Aix-en-Provence, Marseille, Nîmes , et chargé de cours à l’école des Mines d’Alès)
-Architecte-paysagiste et Urbaniste de 1980 à 1995 -Représenté à Paris par la Galerie Amélie-Maison d’arts -Exposé au Salon des Réalités Nouvelles à Paris depuis 2010
-Fondateur et Président de l’association A.A.T. Arts, Architecture et Territoire en Uzège.
-
Nationality:
FRANCE
- Date of birth : 1946
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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