Painting titled "composition 4-24" by Eric Avagian, Original Artwork, Oil

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composition 4-24 (2024) Painting by Eric Avagian

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1500 px
	1269 px

Dimensions of the file (px)	1500x1269
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Art image bank

Original Artwork (One Of A Kind) Painting, Oil on Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 66.9in, Width 78.7in
Artwork's condition The artwork is in perfect condition
Framing This artwork is not framed
Categories Paintings under $5,000 Minimalism Abstract

This work is executed in an abstract style characteristic of contemporary art. The painting features black lines reminiscent of architectural or technical structures that intersect and create complex forms. They are placed against a background of gray and golden-brown hues, adding depth and texture. Bright blue squares are positioned at the corners of the composition, creating focal points and visual contrast.

The composition conveys a sense of balance between chaos and order, while the use of geometric shapes and textures evokes an urban or industrial space. The painting can be interpreted as a reflection of the interaction between technology, nature, and human perception.

Eric Avagian

Armenia

Eric Avagyan is a contemporary Armenian artist based in Armenia, known for his innovative approach to art that blends various styles and philosophies. A graduate of the Yerevan State Academy of Fine Arts (YSAFA), Avagyan, while proficient in academic painting, views realism and romanticism as stages of the past. His artistic journey is deeply influenced by the works and philosophies of 19th-century European schools, which he studies to create a unique fusion of styles, particularly informalism and constructivism. This fusion draws not only from the Soviet variant of constructivism but also from its European counterpart that emerged during the same period.

Avagyan’s work is characterized by the interaction of form, line, and color with the background, aiming to reflect both personal and universal events and experiences. His compositions often feature objects, movement, plasticity, and color in space, all connected by underlying formulas that explore significant themes such as history, love, militarism, and politics. For Avagyan, composition is a fundamental and constructive element, essential to both his artistic creations and his broader worldview. He believes that if there is a point, there must be something that anchors it on the surface.

Currently, Avagyan focuses on adhering to the principles of formalism, striving to achieve harmony in the density of paint and the integration of the second and third planes in his work. His art is a continuous exploration of how these elements interact to convey deeper meanings and emotions.