spaces of my days 3 (1996) Digital Arts by Z Vladanovic'

Not For Sale
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 6 collections
  • Original Artwork Digital Arts, Photo Montage / Collages / 2D Digital Work on Paper
  • Dimensions Height 15.8in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Surrealism
photo based About this artwork: Classification, Techniques & Styles Photo Montage Assembly of photographs obtained by printing, or by means of software,[...]
photo based
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Born in the Balkans. In an instant of discontinuity, of immobility of time, Vladanovic's perception of reality is an action reflected in the mirror of the mind. Slow or abrupt passages, from the visible[...]

Born in the Balkans.

In an instant of discontinuity, of immobility of time, Vladanovic's perception of reality is an action reflected in the mirror of the mind. Slow or abrupt passages, from the visible to the invisible, from the shadow to the light and vice versa reveal the matter fleeing from the portrait, an image - light illuminated from within constitutes its plot, they are metamorphic structures of the face, sensorial interpenetrations, superimpositions catalyze and catalyze the infinite in the non-form of the sense.
The image is as if devoured, extreme, dramatic elision of the expression whose effects, of appearance and disappearance, retain, filter, pass the complexity of human perception , while one's sensitivity sharpens in the tired rhythm of the past. Works boundless in space, "sensitive environments" as scans of a continuum between the interior and the exterior, between the concreteness and immateriality of the intimate substance, correspond to the body of the image. Photographic shots to move from the real to the imaginary, from memory to dream, an entire life between the meshes of time frozen in reflections, constant passages in continuous tension between the before and the after, the inside and the outside, the present and the 'absent.
Ancestral handwritings narrate existence and release sound gestures, almost immaterial bodies in the liquid complacency of form in "Escape from portrait".

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